Mariia Levytska's Creative Style as a Manifestation of the Postmodern Worldview

The purpose of the article is to determine the features of the formation of the postmodern worldview on the example of M. Levytska’s creative style, and to investigate the characteristic factors of the formation of the author’s creative individual style. Research methodology. The authors of the article use methods of systematic analysis of scientific papers on the issue raised in the article, as well as methods of analysis, synthesis, and generalisation (to determine the results of the study and systematise the structural components of the studied issue). Philosophical (dialectical), general theoretical, (epistemological, structural, and functional), special (comparative and legal, inductive), and interdisciplinary methods of scientific knowledge (historical, analytical) are applied as the methodological basis of the study, the use of which is determined by a systematic approach. Scientific novelty. An author’s research is proposed, which consists in clarifying the concept of “author’s creative style”. The article highlights the features of the postmodern worldview as an aspect of cultural development. It is established that the postmodern style is formed in the process of the development of today's culture and taking into account the intensive development of information and communication technologies. Based on the theoretical and methodological analysis, the essential features of art, as well as scientific and methodological approaches that contribute to the formation of new value orientations are considered; the features of creative style formation are determined. The article describes the main categorical features of the formation of the postmodern worldview on the example of M. Levytska’s work. The concepts of the author’s creative path, and individual style are defined, the factors influencing the artist’s work are studied. The expediency of analysing current trends in fine arts to achieve the goal is substantiated. The relevance of the study is due to the need to revive the artistic heritage as a factor in identifying an individual or a nation. Conclusions. The study became the basis for the specification of the essence of postmodern art, the formation of basic concepts covering the issue. The features of the postmodern worldview reflected in theatrical art are determined. The presented research does not exhaust the whole essence of the issue and requires further study of individual aspects