In much scholarly writing and in many leftist and activist accounts the enclosures of the cultural commons have been fiercely critiqued. However, during the last years, new media business models, that challenge the notion of the cultural industries as “copyright industries”, has been taking shape. A new class of entrepreneurs is instead working to expand the commons as part of their businesses. Accordingly, representatives from these new media industries, policy makers, and politicians have joined the academic and political critique of the “enclosures of the cultural common”. The paper argues that this is a shift within the dominant media policy paradigm and an attempt to integrate existing practices on the Internet, based on cooperation an...
The goal of this article is to explain long term restructurations and transformations of the media i...
This paper begins with a simple question—‘how can you steal something that no one owns’? Though a si...
International audienceThe dynamics of production, circulation and dissemination of knowledge that ar...
In much scholarly writing and in many leftist and activist accounts the enclosures of the cultural c...
Abstract: In much scholarly writing and in many leftist and activist accounts the enclosures of the ...
Over recent decades several competing descriptions of the media and cultural industries have been pu...
This article investigates the potential role of the commons in the future transformation of digital ...
The website Creative Commons went online in December 2002 to counter shifts towards an ‘intellectual...
At last, the cultural wars of the early digital age have broken out. The Internet and digital proces...
The Internet offers unprecedented possibilities for human creativity, global communication, and acce...
In this chapter, we put forward the idea that media are cornerstone institutions in a knowledge soci...
This article takes the politicisation of copyright and file sharing as a starting point to discuss t...
The concept of the commons has provided a useful framework for understanding a wide range of resourc...
Over the last decade, a political battle has been waged over the use and control of culture and info...
Digital technologies permit the wide distribution of perfect copies at virtually no marginal cost. E...
The goal of this article is to explain long term restructurations and transformations of the media i...
This paper begins with a simple question—‘how can you steal something that no one owns’? Though a si...
International audienceThe dynamics of production, circulation and dissemination of knowledge that ar...
In much scholarly writing and in many leftist and activist accounts the enclosures of the cultural c...
Abstract: In much scholarly writing and in many leftist and activist accounts the enclosures of the ...
Over recent decades several competing descriptions of the media and cultural industries have been pu...
This article investigates the potential role of the commons in the future transformation of digital ...
The website Creative Commons went online in December 2002 to counter shifts towards an ‘intellectual...
At last, the cultural wars of the early digital age have broken out. The Internet and digital proces...
The Internet offers unprecedented possibilities for human creativity, global communication, and acce...
In this chapter, we put forward the idea that media are cornerstone institutions in a knowledge soci...
This article takes the politicisation of copyright and file sharing as a starting point to discuss t...
The concept of the commons has provided a useful framework for understanding a wide range of resourc...
Over the last decade, a political battle has been waged over the use and control of culture and info...
Digital technologies permit the wide distribution of perfect copies at virtually no marginal cost. E...
The goal of this article is to explain long term restructurations and transformations of the media i...
This paper begins with a simple question—‘how can you steal something that no one owns’? Though a si...
International audienceThe dynamics of production, circulation and dissemination of knowledge that ar...