An analysis on Gece Yolculuğu in the framework of the concept of alienation

Bu çalışmada Türkiye sinemasının en özgün isimlerinden biri olan Ömer Kavur'un yönettiği Gece Yolculuğu filmi, yönetmenin külliyatını sıkça ziyaret eden yabancılaşma kavramı üzerinden ele alınmaktadır. Bu doğrultuda öncelikle söz konusu kavramın betimlenmesi üzerinde durulmuş, ardından Ömer Kavur'un sineması ve Gece Yolculuğu filminden bahsedilmiştir. Çalışmanın analiz bölümünde yabancılaşma kavramının Gece Yolculuğu filmine nasıl yansıdığı, karakterleri ve hikâyeyi nasıl şekillendirdiği irdelenmiştir.Alienation is one of the basic concepts that determines the attitudes and behaviors towards a job that people are responsible for, the people around them, and ultimately themselves. Participation in social life directly affects the motivation of the individual. Alienation, which is frequently discussed in disciplines such as philosophy, sociology and politics, also finds its place in the fields of art such as cinema, literature and painting. In this study, the movie Gece Yolculuğu directed by Ömer Kavur, which treats alienation as a basic motif throughout his filmography, is discussed. In fact, alienation is also encountered in the director's films such as Akrebin Yolculuğu, Yatık Emine, Anayurt Oteli and Gizli Yüz. However, it is seen that alienation takes the stage in different forms in Gece Yolculuğu. Therefore, in this study, the movie Gece Yolculuğu was chosen to analyze. Descriptive analysis method was used in the presentation of the study. This method allows the findings obtained through various data collection methods to be systematically evaluated and transferred to the reader. For this, firstly, the description of the concept of alienation was emphasized, then Ömer Kavur's cinema and the movie Gece Yolculuğu were mentioned. In the analysis part of the study, how alienation is reflected in the movie Gece Yolculuğu and how it shaped the characters and the story were examined