Megan Walsh joins us to share what she found out researching her book The Subplot, and how she knew there was a bigger story to tell about fiction writing in China
The article addresses the representation of China in contemporary crime fiction written in English. ...
Deanna Fei is author of A Thread of Sky (Penguin Press, 2010), a novel about three generations of wo...
A few months ago, we ran an interview with Lisa See about her new novel,Shanghai Girls. The book was...
China is often seen as a monolith, especially by Westerners. Megan Walsh and Rosie Blau join us to h...
Among the twenty-three people who received MacArthur Fellowships last month was Yiyun Li, a fiction ...
Earlier this year, we ran two excerpts from Jonathan Tel’s (then forthcoming) collection of short st...
This week, The China Beat interviews Catherine Sampson, former BBC journalist and The Times correspo...
Lisa See has written seven books set in China–including novels like Snow Flower and the Secret Fan, ...
Ken Liu is an influential translator of Chinese-language science fiction and an award winning author...
In 2008, Australian fiction writer and essayist Gail Jones spent four months in Shanghai as a guest ...
For the past week, all over China, writers have been bumping into each other at hotel check-ins, or ...
Creative fiction has a venerable history in the People’s Republic of China. Many would argue that th...
Pallavi Aiyar’s 2008 memoir, Smoke and Mirrors: An Experience of China, details the six years she sp...
Jeffrey Wasserstrom, one of America's leading China specialists, helps us wade into the intricate an...
Chinese Town is the thesis component for a Masters in Creative Writing project. It is accompanied by...
The article addresses the representation of China in contemporary crime fiction written in English. ...
Deanna Fei is author of A Thread of Sky (Penguin Press, 2010), a novel about three generations of wo...
A few months ago, we ran an interview with Lisa See about her new novel,Shanghai Girls. The book was...
China is often seen as a monolith, especially by Westerners. Megan Walsh and Rosie Blau join us to h...
Among the twenty-three people who received MacArthur Fellowships last month was Yiyun Li, a fiction ...
Earlier this year, we ran two excerpts from Jonathan Tel’s (then forthcoming) collection of short st...
This week, The China Beat interviews Catherine Sampson, former BBC journalist and The Times correspo...
Lisa See has written seven books set in China–including novels like Snow Flower and the Secret Fan, ...
Ken Liu is an influential translator of Chinese-language science fiction and an award winning author...
In 2008, Australian fiction writer and essayist Gail Jones spent four months in Shanghai as a guest ...
For the past week, all over China, writers have been bumping into each other at hotel check-ins, or ...
Creative fiction has a venerable history in the People’s Republic of China. Many would argue that th...
Pallavi Aiyar’s 2008 memoir, Smoke and Mirrors: An Experience of China, details the six years she sp...
Jeffrey Wasserstrom, one of America's leading China specialists, helps us wade into the intricate an...
Chinese Town is the thesis component for a Masters in Creative Writing project. It is accompanied by...
The article addresses the representation of China in contemporary crime fiction written in English. ...
Deanna Fei is author of A Thread of Sky (Penguin Press, 2010), a novel about three generations of wo...
A few months ago, we ran an interview with Lisa See about her new novel,Shanghai Girls. The book was...
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