Cyprus: Island of Aphrodite II, published in 2020, is Stylianou-Lambert’s and Lambouris’ attempt to renegotiate their own visual past and a tribute to the creative process of photographic selection, exclusion and erasure. In what becomes an extended photographic act, the 1965 book is meticulously reproduced, only this time, ‘new’ photographs –photographs from Lanitis’ archive– are introduced and partially overlaid on top of the original pages; all the while, remaining aware of the fact that the mere act of overlaying material necessitates a much more violent act, that of erasure. As sociologist Andreas Panayiotou mentions in the introduction of Cyprus: Island of Aphrodite II: ‘The imposition of one picture on the other may shock the eye, an...
One of the strategic activity directions of the Lithuanian Art Museum is the investigation of the cu...
Digital prints of AI-generated text and images, British colonial-era books about Cyprus, mobile app....
This book was produced following an exhibition curated by myself at the Pharos Centre for Contempora...
Also in book with Title :Re-envisioning Cyprus. Nicosia: University of Nicosia Press, Loizos, P., Ph...
The exhibition, motivated by the 50th anniversary of the establishment of the Republic of Cyprus, ai...
Published in Greek (2007) and English (2009), this volume combines, for the first time, the visualiz...
The exhibition, motivated by the 50th anniversary of the establishment of the Republic of Cyprus, ai...
Under exhibited in the PhotoBook Exhibition, Athens Photography Festival, Greece. In recognition of...
This was a commission by the committee of the Benaki Museum, Athens to contribute the main text to t...
The first transnational history of photography’s accommodation in the art museum Photography was lo...
This paper examines tourists' photographic representations and processes in order to engage with the...
In 1941, Alison Frantz and Lucy Talcott, archaeologists and members of the American School of Classi...
The investigation into the creation of photobook works is a continuum of my practice as artist-curat...
This essay was originally written in English as the introduction to the exhibition catalogue Realiti...
The thesis explores the uses and appropriations of the symbol of Aphrodite in Greek-Cypriot tourism....
One of the strategic activity directions of the Lithuanian Art Museum is the investigation of the cu...
Digital prints of AI-generated text and images, British colonial-era books about Cyprus, mobile app....
This book was produced following an exhibition curated by myself at the Pharos Centre for Contempora...
Also in book with Title :Re-envisioning Cyprus. Nicosia: University of Nicosia Press, Loizos, P., Ph...
The exhibition, motivated by the 50th anniversary of the establishment of the Republic of Cyprus, ai...
Published in Greek (2007) and English (2009), this volume combines, for the first time, the visualiz...
The exhibition, motivated by the 50th anniversary of the establishment of the Republic of Cyprus, ai...
Under exhibited in the PhotoBook Exhibition, Athens Photography Festival, Greece. In recognition of...
This was a commission by the committee of the Benaki Museum, Athens to contribute the main text to t...
The first transnational history of photography’s accommodation in the art museum Photography was lo...
This paper examines tourists' photographic representations and processes in order to engage with the...
In 1941, Alison Frantz and Lucy Talcott, archaeologists and members of the American School of Classi...
The investigation into the creation of photobook works is a continuum of my practice as artist-curat...
This essay was originally written in English as the introduction to the exhibition catalogue Realiti...
The thesis explores the uses and appropriations of the symbol of Aphrodite in Greek-Cypriot tourism....
One of the strategic activity directions of the Lithuanian Art Museum is the investigation of the cu...
Digital prints of AI-generated text and images, British colonial-era books about Cyprus, mobile app....
This book was produced following an exhibition curated by myself at the Pharos Centre for Contempora...