This paper presents a novel way of understanding art museum visitation based on the examination of people's perceptions regarding art museums and galleries. Within a discussion of the existing literature, it is argued that both socio-cultural and individual factors influence museum perceptions and visitation decisions. Using in-depth interviews with 60 participants, eight different ways of perceiving the art museum have been identified. These are called 'museum perceptual filters' (MPFs), and are as follows: (1) the professional, (2) art-loving, (3) self-exploration, (4) cultural tourism, (5) social visitation, (6) romantic, (7) rejection and (8) indifference filter. By 'colouring' our 'spectacles of perception', MPFs seem to influence our ...
There are certain building types in which movement of people is the most significant evaluation fact...
Since the world first public museum opened in the late seventeenth century in Oxford, many efforts h...
Two studies examined people\u27s aesthetic experiences of art in the laboratory and the museum. The ...
The purpose of this research is to understand people’s perceptions regarding art museums and galleri...
Photographic recording has gained a key role in shaping contemporary experience—everyday and extraor...
Although the term "Art Lover" is something that our society uses in everyday language, little is kno...
International audienceThis paper analyzes the role played by the presence or the absence of companio...
Over the past half-century, museums have evolved from being predominantly cultural repositories to p...
A line of research concerned with various aspects of museum fruition is presented. The first study...
The authors present a comprehensive review and theoretical discussion of factors that could influenc...
Purpose: This paper aims to better understand museums’ image. The study examined the influence of vi...
Studies of museum behaviour in sociology often examine how external environments shape organizationa...
While guidebooks may suggest what a visitor should look at, and even the route that he or she should...
The present research studies the attitudes and behaviour towards museum visits among undergraduate s...
This paper describes an observational study of visitors interacting with artefacts in a museum, and ...
There are certain building types in which movement of people is the most significant evaluation fact...
Since the world first public museum opened in the late seventeenth century in Oxford, many efforts h...
Two studies examined people\u27s aesthetic experiences of art in the laboratory and the museum. The ...
The purpose of this research is to understand people’s perceptions regarding art museums and galleri...
Photographic recording has gained a key role in shaping contemporary experience—everyday and extraor...
Although the term "Art Lover" is something that our society uses in everyday language, little is kno...
International audienceThis paper analyzes the role played by the presence or the absence of companio...
Over the past half-century, museums have evolved from being predominantly cultural repositories to p...
A line of research concerned with various aspects of museum fruition is presented. The first study...
The authors present a comprehensive review and theoretical discussion of factors that could influenc...
Purpose: This paper aims to better understand museums’ image. The study examined the influence of vi...
Studies of museum behaviour in sociology often examine how external environments shape organizationa...
While guidebooks may suggest what a visitor should look at, and even the route that he or she should...
The present research studies the attitudes and behaviour towards museum visits among undergraduate s...
This paper describes an observational study of visitors interacting with artefacts in a museum, and ...
There are certain building types in which movement of people is the most significant evaluation fact...
Since the world first public museum opened in the late seventeenth century in Oxford, many efforts h...
Two studies examined people\u27s aesthetic experiences of art in the laboratory and the museum. The ...