July 25th 2014–In Cumbria, England, a four hour train-ride north of London, a group of 30-some-odd organizers, largely from rural UK, gathered by the Merz Barn on the Cylinders Estate for a one-day event entitled The New Rural Arts Seminar. Organized by community arts leaders Ian Hunter and Celia Larner, the Seminar was initiated primarily in response to an Arts Council England’s (ACE) Position Report issued the month prior, but it also seized upon a confluence of international visitors to connect artists and leaders redefining contemporary rural practice in the UK and beyond
The Lincolnshire Diversity in the Arts: Research and Development project aimed to explore ways to de...
In May 2007 John Brotman, Ontario Arts Council Executive Director, delivered a paper on \u27Communit...
‘Electronic Village Galleries’ (EVG) is an ongoing research project enabling rural engagement with i...
This event, a symposium, will explore the representation of landscape from farming to philosophy. Th...
This blog post reflects on how recent changes to rural Ireland is influencing the arts. It recognise...
In April 2008 a new Art Hall opened its doors in Östersund. Contemporary art was introduced to the v...
The New Zealand Kellogg Rural Leaders Programme develops emerging agribusiness leaders to help shape...
In January 2020 GRAIN Projects commissioned 11 new bodies of work by photographers who collaborated ...
This event was a two-day artist development programme led by artists and curators – to connect, supp...
Every society must provide art, entertainment, and information for its members. Herbert J. Gans Wi...
This chapter by Kim Dunphy of the Cultural Development Network in Australia contributes to an intern...
This article presents a unique amalgam across artistic research and rural sociology. We draw on a co...
A study was carried out to assess the feasibility and potential for the Gulbenkian Foundation to ado...
Five project partners responsible for cultural development in remote rural places offered their part...
Rural and Agricultural Shows are rich in tradition but their role in the rural economy is evolving. ...
The Lincolnshire Diversity in the Arts: Research and Development project aimed to explore ways to de...
In May 2007 John Brotman, Ontario Arts Council Executive Director, delivered a paper on \u27Communit...
‘Electronic Village Galleries’ (EVG) is an ongoing research project enabling rural engagement with i...
This event, a symposium, will explore the representation of landscape from farming to philosophy. Th...
This blog post reflects on how recent changes to rural Ireland is influencing the arts. It recognise...
In April 2008 a new Art Hall opened its doors in Östersund. Contemporary art was introduced to the v...
The New Zealand Kellogg Rural Leaders Programme develops emerging agribusiness leaders to help shape...
In January 2020 GRAIN Projects commissioned 11 new bodies of work by photographers who collaborated ...
This event was a two-day artist development programme led by artists and curators – to connect, supp...
Every society must provide art, entertainment, and information for its members. Herbert J. Gans Wi...
This chapter by Kim Dunphy of the Cultural Development Network in Australia contributes to an intern...
This article presents a unique amalgam across artistic research and rural sociology. We draw on a co...
A study was carried out to assess the feasibility and potential for the Gulbenkian Foundation to ado...
Five project partners responsible for cultural development in remote rural places offered their part...
Rural and Agricultural Shows are rich in tradition but their role in the rural economy is evolving. ...
The Lincolnshire Diversity in the Arts: Research and Development project aimed to explore ways to de...
In May 2007 John Brotman, Ontario Arts Council Executive Director, delivered a paper on \u27Communit...
‘Electronic Village Galleries’ (EVG) is an ongoing research project enabling rural engagement with i...