The online learning environment is commonly described in spatial and geographical terms, being treated like a landscape or ecology itself, a space in which learning activities occur. While useful for framing virtual learning environments (VLEs), such broad comparisons also appear reductive, excluding fringe or contested practices. The author comments on how the doodling activity of students in online spaces during the pandemic resonates with graffiti art that exists in the exterior environment. The aesthetic practice of graffiti, when applied in digital learning spaces, offers a method of reterritorializing VLEs and catharising learning spaces for both students and staff
Taking an art course often makes many college students anxious. This could be attributed to the fact...
As the COVID-19 pandemic gathered momentum in 2020, it became clear that online teaching spaces risk...
Academics who work in the field of online art education are frequently asked the question, ‘How do y...
The online learning environment is commonly described in spatial and geographical terms, being treat...
Online learning can be an alienating experience; students can feel their emotions are disregarded, m...
Responding to conditions of lockdown and social distancing since March 2020, the Centre for Arts and...
Taking a cue from a comment made by a colleague during a planning session for the coming academic ye...
Arts-based methods which traditionally rely on engagement with material artefacts (e.g. LEGO® bricks...
This paper considers the complexities of online studio art teaching in the COVID-present, specifical...
An Entry for the British Educational Research Association blog on Covid-19 related research
Under the influence of neo-liberal policies, the nature of higher education is changing. Giroux cons...
What happens when we go online, interact and leave our digital footprints? What is the nature of the...
This paper expands on the use of virtual environments to address educational questions around social...
This presentation reflects upon the value of authentic educational practices that emerge both intent...
The research study looked to examine how art teachers adapted to online learning using enhanced tech...
Taking an art course often makes many college students anxious. This could be attributed to the fact...
As the COVID-19 pandemic gathered momentum in 2020, it became clear that online teaching spaces risk...
Academics who work in the field of online art education are frequently asked the question, ‘How do y...
The online learning environment is commonly described in spatial and geographical terms, being treat...
Online learning can be an alienating experience; students can feel their emotions are disregarded, m...
Responding to conditions of lockdown and social distancing since March 2020, the Centre for Arts and...
Taking a cue from a comment made by a colleague during a planning session for the coming academic ye...
Arts-based methods which traditionally rely on engagement with material artefacts (e.g. LEGO® bricks...
This paper considers the complexities of online studio art teaching in the COVID-present, specifical...
An Entry for the British Educational Research Association blog on Covid-19 related research
Under the influence of neo-liberal policies, the nature of higher education is changing. Giroux cons...
What happens when we go online, interact and leave our digital footprints? What is the nature of the...
This paper expands on the use of virtual environments to address educational questions around social...
This presentation reflects upon the value of authentic educational practices that emerge both intent...
The research study looked to examine how art teachers adapted to online learning using enhanced tech...
Taking an art course often makes many college students anxious. This could be attributed to the fact...
As the COVID-19 pandemic gathered momentum in 2020, it became clear that online teaching spaces risk...
Academics who work in the field of online art education are frequently asked the question, ‘How do y...