Add to ORKGOne of a series of dialogues between filmmakers, in this case myself and Helga Fanderl, who has made an enormous body of work excluively in Super 8 film. We discuss how we became interested in working with film, filming procedures, medium specificity, teaching film and related topics
Recent technological developments have made cinema production- and post-production hardware and soft...
Each material loop of space-time, telling and knowing, woven through its link to a maternal other, c...
This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassess...
This article surveys avant-garde moving-image work in London, 2006-2007, ranging from 16mm films by ...
Amy Dickson has produced over 157 video works at the time of writing (August 2020). A large number o...
A series of eight film screening and expanded events, which featured 22 artists. It drew on Film Tal...
This was a paper given at Attention: Detail symposium at Nottingham Trent University as part of Summ...
‘Tryst’ is a film project; devised, created, developed and edited by Nelson diplexcito and Sheila Ch...
The recent public multi-screen performance of formalist experimental animation by film artists such ...
Curated by Sherwin, this is a series of live film performances in a retrospective programme of multi...
The general goal of my research is to find out what is questioned whenever an animated film is made...
Cinema and film are terms that have been inextricably linked since the Lumière brothers showed thei...
Within Cinema, animation always had an unclear relation with live-action recording since its very be...
Norman McLaren’s most important creation strategy was that of making a film completely by hand: not ...
The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video...
Recent technological developments have made cinema production- and post-production hardware and soft...
Each material loop of space-time, telling and knowing, woven through its link to a maternal other, c...
This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassess...
This article surveys avant-garde moving-image work in London, 2006-2007, ranging from 16mm films by ...
Amy Dickson has produced over 157 video works at the time of writing (August 2020). A large number o...
A series of eight film screening and expanded events, which featured 22 artists. It drew on Film Tal...
This was a paper given at Attention: Detail symposium at Nottingham Trent University as part of Summ...
‘Tryst’ is a film project; devised, created, developed and edited by Nelson diplexcito and Sheila Ch...
The recent public multi-screen performance of formalist experimental animation by film artists such ...
Curated by Sherwin, this is a series of live film performances in a retrospective programme of multi...
The general goal of my research is to find out what is questioned whenever an animated film is made...
Cinema and film are terms that have been inextricably linked since the Lumière brothers showed thei...
Within Cinema, animation always had an unclear relation with live-action recording since its very be...
Norman McLaren’s most important creation strategy was that of making a film completely by hand: not ...
The term 'Expanded Cinema' encompasses film, video, performance and multiple-projection. While video...
Recent technological developments have made cinema production- and post-production hardware and soft...
Each material loop of space-time, telling and knowing, woven through its link to a maternal other, c...
This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassess...