Add to ORKGThe following question is the underlying essence of this year’s catalogue: What is the future of craft? We asked for contributions in response to it from scholars, educators, curators, artists, designers and makers. We hoped that each contributor might have insightful, challenging or provocative things to say and we were not disappointed. For if the lively and committed expressions of interest are anything to go by then the future of craft is certainly secure! We are most grateful to all those who were able to contribute
In this presentation Rebecca talked about her textile work, and the development of TED (Textiles and...
Crafted Futures is a craft/technology visual response to William Gott’s Dyehouse Pattern Book produc...
This paper picks up some of the themes first considered at the Crafting with Digital Technologies wo...
Past, Present and Future Craft Practice has sought to use the Future Craft exposition as a vehicle f...
In some ways you can think of this book as an introduction to craft research - a new form of craft p...
Over the last decade several projects and exhibitions have explored how crafts can play a central ro...
Craft is an anachronism “ discuss ¦ Some twenty-five years ago, on applying for a place at a college...
What is the new business of design and by default the responsibility of being a designer? How can de...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
In November 2014, the Department of Fashion and Textiles at the University of Huddersfield hosted th...
How does an art gallery make its collection more accessible and meaningful to students of design and...
This thesis project began as a study in traditional craft methodologies and ways of understanding de...
Key concepts of sustainability in the contemporary consumer society include cradle-to-cradle, slow-f...
Over the last decade several projects and exhibitions have explored how crafts can play a central ro...
© 2015 Intellect Ltd Article. Within the shifting territories of craft practice, the handmade has be...
In this presentation Rebecca talked about her textile work, and the development of TED (Textiles and...
Crafted Futures is a craft/technology visual response to William Gott’s Dyehouse Pattern Book produc...
This paper picks up some of the themes first considered at the Crafting with Digital Technologies wo...
Past, Present and Future Craft Practice has sought to use the Future Craft exposition as a vehicle f...
In some ways you can think of this book as an introduction to craft research - a new form of craft p...
Over the last decade several projects and exhibitions have explored how crafts can play a central ro...
Craft is an anachronism “ discuss ¦ Some twenty-five years ago, on applying for a place at a college...
What is the new business of design and by default the responsibility of being a designer? How can de...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
In November 2014, the Department of Fashion and Textiles at the University of Huddersfield hosted th...
How does an art gallery make its collection more accessible and meaningful to students of design and...
This thesis project began as a study in traditional craft methodologies and ways of understanding de...
Key concepts of sustainability in the contemporary consumer society include cradle-to-cradle, slow-f...
Over the last decade several projects and exhibitions have explored how crafts can play a central ro...
© 2015 Intellect Ltd Article. Within the shifting territories of craft practice, the handmade has be...
In this presentation Rebecca talked about her textile work, and the development of TED (Textiles and...
Crafted Futures is a craft/technology visual response to William Gott’s Dyehouse Pattern Book produc...
This paper picks up some of the themes first considered at the Crafting with Digital Technologies wo...