This paper presents an acoustic reconstruction of the UK House of Commons between c. 1820-34. Focusing on a historically important site where political decisions were debated over the centuries, we aim to simulate and present the intangible principles of the acoustic properties and sounds heard within the space. The acoustic model was created based on available historical evidence with the aid of commercial acoustic simulation software. We discuss the decisions made for this reconstruction, based on further experimentation with the acoustic characteristics of the constituent materials, and settings of the available software. An additional comparison of the achieved acoustic results with spaces of similar historical importance and layout is ...
The Virtual Paul's Cross Project, funded by a grant from the National Endowment for the Humanities, ...
Throughout human history, there have been locations used for performance of speech and music. Many o...
Hearing is one of our most pervasive senses. There is no equivalent to closing our eyes, or avertin...
The Lady Chapel of Ely Cathedral, built in the 14th century, is considered one of the greatest archi...
York Minster is the largest medieval Gothic cathedral in Northern Europe, renowned for its magnifice...
Acoustic Heritage is one aspect of archaeoacoustics, and refers more specifically to the quantifiabl...
This paper analyses the acoustic behaviour of the Palace of Charles V from a room acoustics perspec...
York Minster is the largest medieval Gothic cathedral in Northern Europe, renowned for itsmagnificen...
The modern use of ancient heritage sites can be, to say the least, challenging from an acoustical pe...
Acoustic Heritage is one aspect of archaeoacoustics, and refers more specifically to the quantifiabl...
Abstract: York Minster is the largest medieval Gothic cathedral in Northern Europe, renowned for its...
Historic spaces provide a challenge in terms of achieving accurate acoustic modelling and auralisati...
This is an excerpt from a book chapter with the same title in the book Acoustics and Music of Britis...
The Cistercian order is of acoustic interest because previous research has hypothesized that Cisterc...
This article outlines the theory and methodology underlying our ongoing sound art project on the Fal...
The Virtual Paul's Cross Project, funded by a grant from the National Endowment for the Humanities, ...
Throughout human history, there have been locations used for performance of speech and music. Many o...
Hearing is one of our most pervasive senses. There is no equivalent to closing our eyes, or avertin...
The Lady Chapel of Ely Cathedral, built in the 14th century, is considered one of the greatest archi...
York Minster is the largest medieval Gothic cathedral in Northern Europe, renowned for its magnifice...
Acoustic Heritage is one aspect of archaeoacoustics, and refers more specifically to the quantifiabl...
This paper analyses the acoustic behaviour of the Palace of Charles V from a room acoustics perspec...
York Minster is the largest medieval Gothic cathedral in Northern Europe, renowned for itsmagnificen...
The modern use of ancient heritage sites can be, to say the least, challenging from an acoustical pe...
Acoustic Heritage is one aspect of archaeoacoustics, and refers more specifically to the quantifiabl...
Abstract: York Minster is the largest medieval Gothic cathedral in Northern Europe, renowned for its...
Historic spaces provide a challenge in terms of achieving accurate acoustic modelling and auralisati...
This is an excerpt from a book chapter with the same title in the book Acoustics and Music of Britis...
The Cistercian order is of acoustic interest because previous research has hypothesized that Cisterc...
This article outlines the theory and methodology underlying our ongoing sound art project on the Fal...
The Virtual Paul's Cross Project, funded by a grant from the National Endowment for the Humanities, ...
Throughout human history, there have been locations used for performance of speech and music. Many o...
Hearing is one of our most pervasive senses. There is no equivalent to closing our eyes, or avertin...