This article approaches the masses of discarded things washed ashore and roaming waterways as the new monsters of the Anthropocene. It explores the ways in which monstrosity and archaeology intersect, and how the genre of horror simultaneously emerges from and informs the current epoch. As they embark on their post-abandonment journey, things’ immense scale, spread, and refusal to serve as proxies for human narratives result in the impossibility of fully grasping and making sense of them. Combining archaeological approaches and queer theory, this article attempts to get to the heart of the inevitable, complex entanglements between people and monstrous Others
Geographical enquiries of the monster and the monstrous have increased in recent years. Through the...
Emerging from a collective project hosted by Aarhus University in Denmark and gathering essays and c...
Archaeology is often defined as the study of the past through material culture. As we enter the Anth...
This article examines the waysin which the Gothic imagination has been used to convey the message of...
This paper considers whether the twenty-first-century resurgence of H. P. Lovecraft and we...
This project delves into the phenomenon of unruly material legacies in the Anthropocene and develops...
The predominance of the horror genre, broadly conceived, in recent years attests to the profound sen...
It is widely recognised that the growing awareness that we are living in the Anthropocene – an unsta...
It is widely recognised that the growing awareness that we are living in the Anthropocene – an unsta...
The Anthropocene has rendered the familiar strange and the strange familiar. As David Farrier sugges...
This article argues that the museum is a significant trope in contemporary literature that engages w...
This investigation examines perceptions of the monster as an unbounded body. Bodily containment is c...
Margrit Shildrick has argued that the monster’s ability to disturb and unsettle arises from its posi...
This article attempts to place Jeff VanderMeer’s novel Borne (2017) in the context of the New Weird,...
There is a continued fascination with all things monster. This is partly due to the popular receptio...
Geographical enquiries of the monster and the monstrous have increased in recent years. Through the...
Emerging from a collective project hosted by Aarhus University in Denmark and gathering essays and c...
Archaeology is often defined as the study of the past through material culture. As we enter the Anth...
This article examines the waysin which the Gothic imagination has been used to convey the message of...
This paper considers whether the twenty-first-century resurgence of H. P. Lovecraft and we...
This project delves into the phenomenon of unruly material legacies in the Anthropocene and develops...
The predominance of the horror genre, broadly conceived, in recent years attests to the profound sen...
It is widely recognised that the growing awareness that we are living in the Anthropocene – an unsta...
It is widely recognised that the growing awareness that we are living in the Anthropocene – an unsta...
The Anthropocene has rendered the familiar strange and the strange familiar. As David Farrier sugges...
This article argues that the museum is a significant trope in contemporary literature that engages w...
This investigation examines perceptions of the monster as an unbounded body. Bodily containment is c...
Margrit Shildrick has argued that the monster’s ability to disturb and unsettle arises from its posi...
This article attempts to place Jeff VanderMeer’s novel Borne (2017) in the context of the New Weird,...
There is a continued fascination with all things monster. This is partly due to the popular receptio...
Geographical enquiries of the monster and the monstrous have increased in recent years. Through the...
Emerging from a collective project hosted by Aarhus University in Denmark and gathering essays and c...
Archaeology is often defined as the study of the past through material culture. As we enter the Anth...