Conceptual art is art that consists of ideas, not their realization. It tests the boundaries of art, by eliminating the art object entirely. Legal scholars should be interested in conceptual art because it can help them test the boundaries of legal doctrines and their justifications. I created a work of conceptual art that reflects on both the securities laws and copyright doctrine. Among other things, I asked the SEC and the Copyright Office to opine on that work, with limited success. I use my experience to reflect on how conceptual art can illuminate our understanding of the law
Part I of this Note begins with a discussion of who Banksy is and why his work is important to this ...
To determine if a useful article—generally ineligible for copyright protection—has pictorial, graphi...
The American legal system is unable to continue avoiding the question of art versus non-art. In p...
Hi, I’m Bob Clarida. Thanks very much. This is a dream come true for me too, because copyright law a...
This Essay argues that copyright illogically excludes conceptual art from protection on the basis of...
Conceptual art, a set of practices concerned with interrogating accepted orthodoxies of artistic aut...
Many conceptual artists creating art in the contemporary era rebel against staid notions of what art...
Here’s the basic argument: that to the extent that someone exerts too little control or that there i...
This chapter focuses on language as a signature style of conceptual art and how copyright law strugg...
Defining art is both hard and subjective. But in lots of contexts the law must arrive at a just solu...
This article examines the nature of copyright as a concept and discusses the benefits that can be de...
Conceptual Art (henceforth CA) has the peculiar status of being at once a neglected topic in philoso...
Law’s relations to art--to its creation, its production, and dissemination, its restriction as well ...
Providing a re-examination of what Osborne identifies as a major turning point in contemporary art, ...
A great number of unresolved issues arise in the relatively new field of art law. The author conside...
Part I of this Note begins with a discussion of who Banksy is and why his work is important to this ...
To determine if a useful article—generally ineligible for copyright protection—has pictorial, graphi...
The American legal system is unable to continue avoiding the question of art versus non-art. In p...
Hi, I’m Bob Clarida. Thanks very much. This is a dream come true for me too, because copyright law a...
This Essay argues that copyright illogically excludes conceptual art from protection on the basis of...
Conceptual art, a set of practices concerned with interrogating accepted orthodoxies of artistic aut...
Many conceptual artists creating art in the contemporary era rebel against staid notions of what art...
Here’s the basic argument: that to the extent that someone exerts too little control or that there i...
This chapter focuses on language as a signature style of conceptual art and how copyright law strugg...
Defining art is both hard and subjective. But in lots of contexts the law must arrive at a just solu...
This article examines the nature of copyright as a concept and discusses the benefits that can be de...
Conceptual Art (henceforth CA) has the peculiar status of being at once a neglected topic in philoso...
Law’s relations to art--to its creation, its production, and dissemination, its restriction as well ...
Providing a re-examination of what Osborne identifies as a major turning point in contemporary art, ...
A great number of unresolved issues arise in the relatively new field of art law. The author conside...
Part I of this Note begins with a discussion of who Banksy is and why his work is important to this ...
To determine if a useful article—generally ineligible for copyright protection—has pictorial, graphi...
The American legal system is unable to continue avoiding the question of art versus non-art. In p...