This article reproduces the Lyrische Suite no. 2, op. 24, by the Austrian composer Rudolph Süss, with a short introductory commentary. First published in Vienna around 1921, this suite is a fine example of the enthusiasm for the guitar in early twentieth-century Austria and Germany, which resulted in much music that has been overlooked, overshadowed as it was by the emerging Spanish repertoire
The article focuses on the personalized genre and style approach to the analysis of Latin American c...
Violin was Edvard Grieg’s favourite orchestral instrument. This affinity expanded to other string fa...
Abstract Tobias Wilczkowski: Heinrich Wilhelm Ernst – A great violinist in the shadow of Paganini. U...
This article reproduces the Lyrische Suite [no. 1], op. 23, by the Austrian composer Rudolph Süss, w...
Information on guitar trios of this particular period is cant at best. What meager data is stated in...
This article reproduces a serenade from an early twentieth-century German guitar magazine. It is for...
The article focuses on the musical life of Leningrad and Moscow in the second half of the 1920s. Du...
Amidst ambivalent attitudes held toward the guitar, Italian-born guitar virtuoso Mauro Giuliani (178...
This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos...
Heitor Villa-Lobos (1887-1959) composed his cycle of twelve guitar studies in the 1920s. The cycle ...
Publisher's no.: TE 96. Additional publisher's no. (from v. 39: Introduction and indexes): TE096. Pu...
This doctoral research was conducted primarily to develop my expertise in performance and interpreta...
Typewritten. --- Thesis (M.M.)--University of Rochester,In the sumner of 1756 Leopold Mozart of Salz...
In this article, the author examines the six sonatas for two violins and basso continuo by M.J. Żebr...
The importance that Franz Schuberts music has on any classical musician is almost indisputable. His ...
The article focuses on the personalized genre and style approach to the analysis of Latin American c...
Violin was Edvard Grieg’s favourite orchestral instrument. This affinity expanded to other string fa...
Abstract Tobias Wilczkowski: Heinrich Wilhelm Ernst – A great violinist in the shadow of Paganini. U...
This article reproduces the Lyrische Suite [no. 1], op. 23, by the Austrian composer Rudolph Süss, w...
Information on guitar trios of this particular period is cant at best. What meager data is stated in...
This article reproduces a serenade from an early twentieth-century German guitar magazine. It is for...
The article focuses on the musical life of Leningrad and Moscow in the second half of the 1920s. Du...
Amidst ambivalent attitudes held toward the guitar, Italian-born guitar virtuoso Mauro Giuliani (178...
This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos...
Heitor Villa-Lobos (1887-1959) composed his cycle of twelve guitar studies in the 1920s. The cycle ...
Publisher's no.: TE 96. Additional publisher's no. (from v. 39: Introduction and indexes): TE096. Pu...
This doctoral research was conducted primarily to develop my expertise in performance and interpreta...
Typewritten. --- Thesis (M.M.)--University of Rochester,In the sumner of 1756 Leopold Mozart of Salz...
In this article, the author examines the six sonatas for two violins and basso continuo by M.J. Żebr...
The importance that Franz Schuberts music has on any classical musician is almost indisputable. His ...
The article focuses on the personalized genre and style approach to the analysis of Latin American c...
Violin was Edvard Grieg’s favourite orchestral instrument. This affinity expanded to other string fa...
Abstract Tobias Wilczkowski: Heinrich Wilhelm Ernst – A great violinist in the shadow of Paganini. U...