Abstract The discoloration of pigments caused by deterioration may significantly alter an artifact's original pattern and design, which could have an impact on its intended meaning. The green pigments containing copper (Cu) and arsenate (As) in paintings are usually recognized as Emerald green or Scheele’s green and are also infrequently reported as cornwallite and lavendulan. Recent studies point out that lavendulan may be the degradation product of Emerald green but not a natural mineral. Overall, there are still relatively few cases of current studies on green pigment with Cu and As. The elemental composition and molecular structure of green minerals containing Cu and As are similar, so it is difficult to identify by Raman spectroscopy. ...
X-ray photoemission spectroscopy and Raman spectroscopy were used to identify pigments on an Egyptia...
This study provides a new reason for the colour alteration of the first man-made pigments (Egyptian ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
Booksh, Karl S.Alcántara-García, JocelynCopper-based pigments are common in both Western and Eastern...
A systematic investigation of medieval copper green pigments was carried out based on written source...
Impurities in paint layers executed with green and blue copper pigments, although relatively common,...
Blue and green copper pigments occur in a wide range of chemically close, although mineralogically d...
Green pigments in micro-samples taken from three late-medieval painted objects from Norwegian church...
Raman spectroscopy is a powerful technique for the characterization of materials and is of valuable ...
Analysis of paint samples from a 16th C. wall painting in the church of Agios Sozomenos in Galata, C...
New results on the local chemical environment of Cu2+ in archaeological Egyptian blue and green and ...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
This paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century Portuguese...
A multianalytical study was proposed for the study of late-gothic wall paintings preserved inside th...
This paper reports an unusual green pigment, brochantite (Cu-4(SO4)(OH)(6)), on 16th-century Portugu...
X-ray photoemission spectroscopy and Raman spectroscopy were used to identify pigments on an Egyptia...
This study provides a new reason for the colour alteration of the first man-made pigments (Egyptian ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
Booksh, Karl S.Alcántara-García, JocelynCopper-based pigments are common in both Western and Eastern...
A systematic investigation of medieval copper green pigments was carried out based on written source...
Impurities in paint layers executed with green and blue copper pigments, although relatively common,...
Blue and green copper pigments occur in a wide range of chemically close, although mineralogically d...
Green pigments in micro-samples taken from three late-medieval painted objects from Norwegian church...
Raman spectroscopy is a powerful technique for the characterization of materials and is of valuable ...
Analysis of paint samples from a 16th C. wall painting in the church of Agios Sozomenos in Galata, C...
New results on the local chemical environment of Cu2+ in archaeological Egyptian blue and green and ...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
This paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century Portuguese...
A multianalytical study was proposed for the study of late-gothic wall paintings preserved inside th...
This paper reports an unusual green pigment, brochantite (Cu-4(SO4)(OH)(6)), on 16th-century Portugu...
X-ray photoemission spectroscopy and Raman spectroscopy were used to identify pigments on an Egyptia...
This study provides a new reason for the colour alteration of the first man-made pigments (Egyptian ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...