PORTRAIT OF ANNE BOLEYN (c. 1535) – ANALYSIS AND INTERPRETATION OF HISTORICAL CLOTHING COMPOSITION

Diplomski rad „Portret Anne Boleyn (oko 1535.) – analiza i interpretacija povijesne odjevne kompozicije“ bavit će se stilsko-odjevnom analizom portreta Anne Boleyn, druge ţene engleskog kralja Henrika VIII. Prvi dio rada posvetit će se značajkama tudorskog stila u umjetnosti i modi, zahvaljujući dosadašnjim relevantnim istraţivanjima, vizualnim izvorima te sačuvanim artefaktima. Drugi dio, temeljit će se na metodi analize portreta Anne Boleyn s fokusom na pitanje uloge odjeće kao društveno-statusnog simbola. U trećem dijelu rada bit će izloţeni postupci i faze rekonstrukcije te gotov odjevni predmet tj. interpretacija odjevne forme s portreta. Rad će posebno razmotriti ulogu povijesnih tehnika izrade, ukrašavanja i vrste tkanina, u pokušajima suvremenih postupaka rekonstrukcije.The master thesis "Portrait of Anne Boleyn (c. 1535) - analysis and interpretation of historical clothing composition" will deal with style and clothing analysis of the portrait of Anne Boleyn, the second wife of King Henry VIII of England. The first part of the dissertation will focus on the features of the Tudor style in art and fashion, due to relevant research, visual sources and preserved artifacts. The second part will be based on the method of analyzing the portrait of Anne Boleyn with a focus on the role of clothing as a symbol of social status. The procedures and stages of reconstruction will be presented in the third part of the dissertation, as well as the finished garment, i.e. the interpretation of the garment form from the portrait. The paper will especially consider the role of historical techniques of making, decorating and types of fabrics, in attempts at modern reconstruction procedures