Depictions of sexual violence are frequently found in the collections and displays of art museums, and material that represents and affirms violence against women often is displayed unchallenged. This article poses questions about how the presence of this material has been addressed in the relations between feminist activism against sexual violence, art made by artists responding to and participating in feminist activism, and the curatorial activities that have arisen to address the challenges that these activities present to art museums. The chapter investigates the 2021 exhibition <i>Titian: Women, Myth and Power</i> at the Isabella Stewart Gardner Museum and its handling of themes of rape in the central exhibit, Titian’s <...
Rethinking the monumental suggests not only a reconsideration of Judy Chicago’s controversial instal...
This article reflects on the impact of #MeToo on the artworld. It examines some of the debates the m...
The aim of this essay is to study how older art can be used to illustrate our contemporary society...
This article examines violent protest in art museums. There is a long history of art museums being u...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
This issue brings together analyses of power relations faced by museums around the world that exhibi...
Feminism has become energetically intertwined in the last forty years with the field of art – the cr...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
What happens to art when feminism grips the curatorial imagination? How do sexual politics become re...
Violence against women in wartime has been documented since Antiquity and remains a constant in arme...
In the years 2005-2011 something remarkable happened. Feminist art and/ or art by women was made the...
This exhibition catalogue documents the work of 24 (mainly) American artists, and features four essa...
Art history textbooks including Classical Greek art are rife with images of women in situations of s...
Despite its long history, the emergence of critical perspectives discuss the categories of gender, ...
This thesis examines the relationship between feminist curatorship and art institutions and explores...
Rethinking the monumental suggests not only a reconsideration of Judy Chicago’s controversial instal...
This article reflects on the impact of #MeToo on the artworld. It examines some of the debates the m...
The aim of this essay is to study how older art can be used to illustrate our contemporary society...
This article examines violent protest in art museums. There is a long history of art museums being u...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
This issue brings together analyses of power relations faced by museums around the world that exhibi...
Feminism has become energetically intertwined in the last forty years with the field of art – the cr...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
What happens to art when feminism grips the curatorial imagination? How do sexual politics become re...
Violence against women in wartime has been documented since Antiquity and remains a constant in arme...
In the years 2005-2011 something remarkable happened. Feminist art and/ or art by women was made the...
This exhibition catalogue documents the work of 24 (mainly) American artists, and features four essa...
Art history textbooks including Classical Greek art are rife with images of women in situations of s...
Despite its long history, the emergence of critical perspectives discuss the categories of gender, ...
This thesis examines the relationship between feminist curatorship and art institutions and explores...
Rethinking the monumental suggests not only a reconsideration of Judy Chicago’s controversial instal...
This article reflects on the impact of #MeToo on the artworld. It examines some of the debates the m...
The aim of this essay is to study how older art can be used to illustrate our contemporary society...