This essay considers humour and contemporary art practice as cultural forces, through which the expression of the intangible is possible. These ideas are examined through my recent works: Everything I Know About History…, an installation in advertising space; Don’t Confuse Your Conceptualists and My Roommate Recalls a Text Work, large vinyl wall text installations; and the artist books Synopses, Missed Connections, and Excerpt. Related to imagination, humour and art practices have the ability to access something vital that is beyond the reach of language alone. I consider French philosopher Henri Bergson’s theories of humour, determining the function of humour to be human and social, while looking to the contemporary poet Kenneth Goldsmith ...
This thesis explores issues in aesthetics with reference to Bergson. The first chapter outlines and ...
Providing a re-examination of what Osborne identifies as a major turning point in contemporary art, ...
This paper considers whether Kant’s aesthetics withstands the challenge of Conceptual Art. I begin b...
This essay considers humour and contemporary art practice as cultural forces, through which the expr...
Modern humour appears to initiate the deconstruction of modern correspondence thinking. A close exam...
In this essay, I try to highlight the intellectual nature of humour in art. I also emphasise how it ...
This thesis proposes a cognitive poetic model of discoursal humour: the 3D Model of Humour. Previous...
Joke Book is a creative thesis, a collection of comic personal essays, somewhat in the spirit of Mon...
Conceptual painting is not a contradiction in terms. You cannot construct a work without doing somet...
The essay sheds light on relevant questions for a student at the Royal Institute of Art. The questio...
Rematerializing the Immaterial: A Comparative Study of Vancouver’s Conceptual Art and Writing examin...
I propose that the conventions of academia may subject the various practices and practitioners of co...
I propose that the conventions of academia may subject the various practices and practitioners of co...
Includes bibliographical references.This essay discusses the history and influences of my senior exh...
Beginning with Montaigne’s essayistic dictum Que sais je? — ‘What do I know?’ — this PhD thesis exam...
This thesis explores issues in aesthetics with reference to Bergson. The first chapter outlines and ...
Providing a re-examination of what Osborne identifies as a major turning point in contemporary art, ...
This paper considers whether Kant’s aesthetics withstands the challenge of Conceptual Art. I begin b...
This essay considers humour and contemporary art practice as cultural forces, through which the expr...
Modern humour appears to initiate the deconstruction of modern correspondence thinking. A close exam...
In this essay, I try to highlight the intellectual nature of humour in art. I also emphasise how it ...
This thesis proposes a cognitive poetic model of discoursal humour: the 3D Model of Humour. Previous...
Joke Book is a creative thesis, a collection of comic personal essays, somewhat in the spirit of Mon...
Conceptual painting is not a contradiction in terms. You cannot construct a work without doing somet...
The essay sheds light on relevant questions for a student at the Royal Institute of Art. The questio...
Rematerializing the Immaterial: A Comparative Study of Vancouver’s Conceptual Art and Writing examin...
I propose that the conventions of academia may subject the various practices and practitioners of co...
I propose that the conventions of academia may subject the various practices and practitioners of co...
Includes bibliographical references.This essay discusses the history and influences of my senior exh...
Beginning with Montaigne’s essayistic dictum Que sais je? — ‘What do I know?’ — this PhD thesis exam...
This thesis explores issues in aesthetics with reference to Bergson. The first chapter outlines and ...
Providing a re-examination of what Osborne identifies as a major turning point in contemporary art, ...
This paper considers whether Kant’s aesthetics withstands the challenge of Conceptual Art. I begin b...