This diploma thesis deals with the study of the collective imagination. It studies and observes variable linkages between spectator as well as productive imagination to the cultural environment, as they occur during the second half of the twentieth century, overlapping into the twenty-first century. The primary areas of research are predominantly literary and film works of the science fiction genre. The research is conducted using mainly discoursive analysis method, however, the thesis has its theoretical groundings in media studies, partly also in the fields of political theory, in the theory of fictional worlds, intercultural studies and philosophy of science. Employed approaches are purposefully tied to more or less closed case studies, ...
in English: The aim of the theoretical part of the thesis is to explain the term techno-pessimism th...
The science fiction genre in all types of media is often neglected in the serious discussion of the ...
This thesis proposes a critical framework by which science fiction can be read as an indicator of si...
The object of this study is to examine the historical, ideological and artistic development of scien...
This work intends to complement literary studies in science fiction. It discusses the history of glo...
The thesis Sociological Imagination and Film in the Culturological Perspective examines the possibil...
The paper gives an overview of the prevalence of the analysis of science fiction literature and scie...
This bachelor's thesis draws primarily on two impulses, which both already enjoyed increased attenti...
The theoretical part of the bachelor thesis deals with literature subgenre soft science fiction. For...
The science-fiction genre specificity determines not only the particular organization of theliterary...
The thesis focuses on distinct aspects of the aesthetic perception of the sci-fi genre in film and l...
The thesis focuses on distinct aspects of the aesthetic perception of the sci-fi genre in film and l...
This diploma is concerned with an analysis of the czech science fiction in a context of the 20th cen...
This diploma thesis deals with fantasy literature in both, national and international contexts, as w...
Antonín Kudláč Czech Popular Fantastic Arts 1990 - 2012 in Cultural, Social and Literary Contexts Th...
in English: The aim of the theoretical part of the thesis is to explain the term techno-pessimism th...
The science fiction genre in all types of media is often neglected in the serious discussion of the ...
This thesis proposes a critical framework by which science fiction can be read as an indicator of si...
The object of this study is to examine the historical, ideological and artistic development of scien...
This work intends to complement literary studies in science fiction. It discusses the history of glo...
The thesis Sociological Imagination and Film in the Culturological Perspective examines the possibil...
The paper gives an overview of the prevalence of the analysis of science fiction literature and scie...
This bachelor's thesis draws primarily on two impulses, which both already enjoyed increased attenti...
The theoretical part of the bachelor thesis deals with literature subgenre soft science fiction. For...
The science-fiction genre specificity determines not only the particular organization of theliterary...
The thesis focuses on distinct aspects of the aesthetic perception of the sci-fi genre in film and l...
The thesis focuses on distinct aspects of the aesthetic perception of the sci-fi genre in film and l...
This diploma is concerned with an analysis of the czech science fiction in a context of the 20th cen...
This diploma thesis deals with fantasy literature in both, national and international contexts, as w...
Antonín Kudláč Czech Popular Fantastic Arts 1990 - 2012 in Cultural, Social and Literary Contexts Th...
in English: The aim of the theoretical part of the thesis is to explain the term techno-pessimism th...
The science fiction genre in all types of media is often neglected in the serious discussion of the ...
This thesis proposes a critical framework by which science fiction can be read as an indicator of si...