O hautboy na Catedral de Tui

O instrumento de Thomas Stanesby Senior (1668-1734) conservado no Museo Catedralicio de Tui será o principal protagonista desta tese, na que tamén tentaremos obter unha visión ben definida da utilización do óboe na Catedral de Tui ó longo do século XVIII. Na primeira parte do traballo faremos un estudo detallado do propio instrumento do Museo, cunha metodoloxía práctica e comparativa, próxima á disciplina da organoloxía. Despois realizaremos un encadramento histórico do obxecto de estudo, baseado en pescudas bibliográficas, cun enfoque máis musicolóxico. A terceira parte do traballo consistirá na recuperación e edición dalgunhas obras orixinais do século XVIII, conservadas no Arquivo Capitular Diocesano da Catedral de Tui e nas que o óboe está presente. A relevancia deste traballo para a comunidade científica e artística está na valorización dun instrumento de grande valor patrimonial, e na recuperación, transcrición e edición dalgunhas das obras que se encontran no Arquivo Capitular Diocesano da Catedral de Tui (a sigla internacional RISM deste arquivo é E-TUY), nas que o óboe ten un certo protagonismo. O resultado será a achega dun repertorio orixinal do século XVIII ata o de agora esquecido. Tamén será relevante, por ser inédito, a elaboración dun relato histórico no que tentaremos resolver a incógnita existente sobre a chegada do óboe de Stanesby á Catedral, a utilización do hautboy ó longo do século XVIII, así como a elaboración dunha relación dos oboístas que traballaron na Catedral nese período, para o que nos apoiaremos principalmente nas evidencias que nos proporcionan as Actas Capitulares conservadas no Arquivo da Catedral.The instrument of Thomas Stanesby Senior (1668-1734) preserved in the Cathedral Museum of Tui will be the main protagonist of this thesis, in which we will also try to obtain a well-defined picture of the use of the oboe in the Cathedral of Tui throughout the 18th century. In the first part of the work, we will make a detailed study of the Museum's instrument, with using a practical and comparative methodology, closer to the discipline of organology. We will then establish a historical framework of the object of study based on bibliographic research, with a more musicological approach. The third part of the work will consist of the recovery and edition of some original works from the 18th century preserved in the Diocesan Chapter Archive of the Cathedral of Tui, in which the oboe is present. The relevance of this work for the scientific and artistic community is in the valorisation of an instrument of great patrimonial value, and in the recovery, transcription and edition of some works preserved in the Diocesan Chapter Archive of the Tui Cathedral (the international acronym RISM of this archive is E-TUY), in which the oboe has a certain prominence. The result will be the contribution of an original repertoire from the 18th century until now forgotten. We believe that the proposal of an explanation for the arrival of the Stanesby´s oboe at the Cathedral, a description of the hautboy´s use throughout the 18th century, as well as the elaboration of a list of the oboists who worked in the Cathedral in that period, based mainly on the evidence provided by the Chapter Minutes preserved in the Cathedral Archive, will also be relevant, as all this information has, so far, remained unpublished