Zonas de indistinguibilidade: Grupo de Ações Coletivas e Arte Participativa / Zones of Indistinguishability: Collective Actions Group and Participatory Art

No presente ensaio, publicado originalmente no e-flux jornal, n. 29, de novembro de 2011, a autora trata do Grupo de Ações Coletivas, em atividade em Moscou a partir de meados da década de 1970, pela perspectiva da arte participativa ocidental. Claire Bishop é professora associada no Programa de Doutorado em História da Arte no Cuny Graduate Center, Nova York. É colaboradora regular da Artforum; suas publicações incluem Installation art: a critical history (2005), Artificial Hells: Participatory Art and the Politics of Spectatorship (2012) e, como editora, as antologias Participation (2006) e 1968-1989: political upheaval and artistic change (2010).Palavras-chave: Arte participativa. Compartilhamento de experiências privadas. Indistinguibilidade. Abstract :In the present essay, published in the journal e-flux journal, n. 29, November 2011, the author focuses on the Collective Actions Group, active in Moscow from the mid-1970s onwards, from the perspective of Western participatory art. Claire Bishop is associate professor in the PhD Program in Art History at CUNY Graduate Center, New York. She is a regular contributor to Artforum; her publications include Installation art: a critical history (2005), Artificial hells: participatory art and the politics of spectatorship (2012) and the edited anthologies Participation (2006), and 1968- 1989: political upheaval and artistic change (2010).Keywords: participatory art. shared privatized experiences. indistinguishability