Add to ORKG© 2021 Manchester University Press. This is the accepted manuscript version of a book chapter which has been published in final form at https://manchesteruniversitypress.co.uk/9781526133328/victorian-touring-actresses/Peer reviewe
This paper analyzes the review that the American actress in London, Elizabeth Robins, published in 1...
University of Minnesota Ph.D. dissertation. May 2017. Major: English. Advisor: Andrew Elfenbein. 1 c...
The “movie-struck girl” and the anxieties that this figure generated have been well documented in re...
© 2021 Manchester University Press. This is the accepted manuscript version of a book chapter which ...
2016 special issue of Neo-Victorian Studies: This special issue will explore the ways in which moder...
About the book: Offering evidence of women's extensive contributions to the theatrical landscape, t...
In lieu of an abstract, here is a brief excerpt of the content: On March 28, 2014, the New Perspecti...
Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participa...
This dissertation draws upon performance theory and new historicism to read Victorian literature and...
This is the author's accepted manuscript. The final published article is available from the link bel...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
During the nineteenth century, theatregoing became the favoured entertainment of both the lower and ...
When the call for gender diversity in the Shakespearean editorial field first gained strength in the...
This book was written to accompany the exhibition The First Actresses: Nell Gwyn to Sarah Siddons at...
Published version of article deposited in accordance with SHERPA Romeo guidelines. © Cambridge Unive...
This paper analyzes the review that the American actress in London, Elizabeth Robins, published in 1...
University of Minnesota Ph.D. dissertation. May 2017. Major: English. Advisor: Andrew Elfenbein. 1 c...
The “movie-struck girl” and the anxieties that this figure generated have been well documented in re...
© 2021 Manchester University Press. This is the accepted manuscript version of a book chapter which ...
2016 special issue of Neo-Victorian Studies: This special issue will explore the ways in which moder...
About the book: Offering evidence of women's extensive contributions to the theatrical landscape, t...
In lieu of an abstract, here is a brief excerpt of the content: On March 28, 2014, the New Perspecti...
Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participa...
This dissertation draws upon performance theory and new historicism to read Victorian literature and...
This is the author's accepted manuscript. The final published article is available from the link bel...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
During the nineteenth century, theatregoing became the favoured entertainment of both the lower and ...
When the call for gender diversity in the Shakespearean editorial field first gained strength in the...
This book was written to accompany the exhibition The First Actresses: Nell Gwyn to Sarah Siddons at...
Published version of article deposited in accordance with SHERPA Romeo guidelines. © Cambridge Unive...
This paper analyzes the review that the American actress in London, Elizabeth Robins, published in 1...
University of Minnesota Ph.D. dissertation. May 2017. Major: English. Advisor: Andrew Elfenbein. 1 c...
The “movie-struck girl” and the anxieties that this figure generated have been well documented in re...