This article examines decolonial approaches to the nature of botanical gardens in Indonesia in the artworks of nine artists featured in the exhibition On the nature of botanical gardens: contemporary Indonesian perspective at Framer Framed, Amsterdam in 2020. Zico Albaiquini, Arahmaiani, Ade Darmawan, Edwin, Samuel Indratma, Lifepatch, Ipeh Nur, Elia Nurvista, and Sinta Tantra presented works which confronted the coloniality of botanical gardens. This article provides a historical reading of the content matter of the artworks presented from a decolonial standpoint as conceptualized by Aníbal Quijano, Walter Mignolo, and María Lugones. The article will demonstrate that the artists have applied various strategies and methods to uncover, criti...
This article explains how the origin (genealogy) of the hybrid identity of Indo-European artists has...
Bo Wang and Pan Lu’s split-screen video essay Miasma, Plants, Export Paintings (2017) charts the rel...
This article describes the postcolonial aesthetic hegemony which is represented in illustration pict...
This article examines decolonial approaches to the nature of botanical gardens in Indonesia in the a...
Culitivated Tastes argues for a new evaluation of colonial landscape art and representations of natu...
The Vegetal Curator looks at plants as agents of decoloniality through curatorial and pedagogical pr...
Recent trends in Indonesian history suggest a fruitful point at which two major fields of research m...
Similar to the other sciences and also other entities of culture, the most important and strategic v...
Traditional Gardens design of Bali is considered to be potent for development as local genius in ga...
Tese de mestrado, Estudos curatoriais, Universidade de Lisboa, Faculdade de Belas Artes, 2010Memory ...
Indonesia is an archipelagic country in which lives flora, fauna and microbes are very diverse with ...
In a way that challenges the nature/culture divide which marks Western thought, this article examine...
The Aceh Museum, one of the oldest museums in Indonesia, was established during Dutch colonial rule....
Lukisan ini cukup menarik. Tidak hanya estetis, tetapi juga bersejarah dan penting. Lukisan ini mena...
In this article, the author assumes that the clear-cut distinction between modern and traditional ar...
This article explains how the origin (genealogy) of the hybrid identity of Indo-European artists has...
Bo Wang and Pan Lu’s split-screen video essay Miasma, Plants, Export Paintings (2017) charts the rel...
This article describes the postcolonial aesthetic hegemony which is represented in illustration pict...
This article examines decolonial approaches to the nature of botanical gardens in Indonesia in the a...
Culitivated Tastes argues for a new evaluation of colonial landscape art and representations of natu...
The Vegetal Curator looks at plants as agents of decoloniality through curatorial and pedagogical pr...
Recent trends in Indonesian history suggest a fruitful point at which two major fields of research m...
Similar to the other sciences and also other entities of culture, the most important and strategic v...
Traditional Gardens design of Bali is considered to be potent for development as local genius in ga...
Tese de mestrado, Estudos curatoriais, Universidade de Lisboa, Faculdade de Belas Artes, 2010Memory ...
Indonesia is an archipelagic country in which lives flora, fauna and microbes are very diverse with ...
In a way that challenges the nature/culture divide which marks Western thought, this article examine...
The Aceh Museum, one of the oldest museums in Indonesia, was established during Dutch colonial rule....
Lukisan ini cukup menarik. Tidak hanya estetis, tetapi juga bersejarah dan penting. Lukisan ini mena...
In this article, the author assumes that the clear-cut distinction between modern and traditional ar...
This article explains how the origin (genealogy) of the hybrid identity of Indo-European artists has...
Bo Wang and Pan Lu’s split-screen video essay Miasma, Plants, Export Paintings (2017) charts the rel...
This article describes the postcolonial aesthetic hegemony which is represented in illustration pict...