This book’s keywords of re-enactment, replication and reconstruction pose a distinction between an original on the one hand and some kind of copy on the other. The practice of walking and everyday life in general suggest alternatives. Using the series of terms ‘act’, ‘enact’ and ‘re-enactment’, the chapter investigates creativity in ways that cannot be reduced to the dichotomy of original and copy. It begins with an account of some pedagogical experiments into walking and psychogeography, and then explores the act of walking in psychogeography. It moves on to the enactment of shared practice between psychogeography and anthropology, and finally the re-enactment of psychogeography as anthropology, and vice versa
Walking is an everyday practice for able-bodied folk. Yet it can cultivate much more than getting yo...
Performative methods are playing an increasingly prominent role in research into historical producti...
In this paper, seven writers experiment with ethnographic and artistic responses to each other’s wal...
This book’s keywords of re-enactment, replication and reconstruction pose a distinction between an o...
In this paper it is argued that the situationist practice of psychogeographical walking can be used ...
Walking is an activity that always unfolds within a certain landscape. Tim Ingold has used the notio...
Despite its importance to how humans inhabit their environments, walking has rarely received the att...
This chapter explores the craft of walking as a form of embodied research practice situated at the i...
This chapter explores the craft of walking as a form of embodied research practice situated at the i...
This text discusses the proposition that walking is a particular method of mapping, a method or meth...
‘Two Walks With Objects’ attempts a tainted auto-ethnographic review of the affects and actions aris...
This practice-based project articulates the notion of an autoethnographic transect using Walking Hom...
Walking methods or accompanied visits are increasingly being used to investigate people?s encounters...
My practice-based research draws upon psychogeography and the relationship between walking, ideation...
This paper explores how the art of walking can foster learning through everyday observation and crea...
Walking is an everyday practice for able-bodied folk. Yet it can cultivate much more than getting yo...
Performative methods are playing an increasingly prominent role in research into historical producti...
In this paper, seven writers experiment with ethnographic and artistic responses to each other’s wal...
This book’s keywords of re-enactment, replication and reconstruction pose a distinction between an o...
In this paper it is argued that the situationist practice of psychogeographical walking can be used ...
Walking is an activity that always unfolds within a certain landscape. Tim Ingold has used the notio...
Despite its importance to how humans inhabit their environments, walking has rarely received the att...
This chapter explores the craft of walking as a form of embodied research practice situated at the i...
This chapter explores the craft of walking as a form of embodied research practice situated at the i...
This text discusses the proposition that walking is a particular method of mapping, a method or meth...
‘Two Walks With Objects’ attempts a tainted auto-ethnographic review of the affects and actions aris...
This practice-based project articulates the notion of an autoethnographic transect using Walking Hom...
Walking methods or accompanied visits are increasingly being used to investigate people?s encounters...
My practice-based research draws upon psychogeography and the relationship between walking, ideation...
This paper explores how the art of walking can foster learning through everyday observation and crea...
Walking is an everyday practice for able-bodied folk. Yet it can cultivate much more than getting yo...
Performative methods are playing an increasingly prominent role in research into historical producti...
In this paper, seven writers experiment with ethnographic and artistic responses to each other’s wal...