A walker of a line. Waclav Szpakowski and geometric art of the twentieth centuryGetulio Alviani considered drawings by Vaclav Szpakowski as ‘timeless’. Szpakowski did not follow any dominant artistic trends; he worked alone, therefore we should not ask about the sources of his art, but only about the contexts which contribute to our understanding the artist. In addition to drawing, Szpakowski was interested in photography. His self-portraits are particularly important because he preceded similar experiments by M. Duchamp and S. I. Witkiewicz. Also, he photographed architectural motifs houses, churches, bridges, etc.. His work as photographer was not a part of his job although he studied architecture. Using photographic...
To paraphrase Deleuze, movement always happens behind a thinker’s back, or when he blinks, and, whil...
Središnji je interes ovog završnog rada, kratak pregled crte kao pojma u likovnoj umjetnosti te povi...
The circle as a basic form to be found in nature and in artificial objects has been the departure po...
Getulio Alviani considered drawings by Vaclav Szpakowski as ‘timeless’. Szpakowski did not follow an...
Three authors examine the photographs, drawings, notebooks and ideas of Polish artist/architectural ...
Vaclav Szpakowski and primary pointVaclav Szpakowski tried to capture and formulate by symmetry and...
Vaclav Szpakowski tried to capture and formulate by symmetry and rhythm, the rules of nature’s geome...
In the paper, I recall three independent individuals, whose work oscillated around conceptual art. T...
In this paper I present the specific issues of contemporary abstract art, which negated the classic ...
Drawing is the easiest language to communicate. It is the fastest and most personal way to write dow...
The bachelor's thesis deals with the topic of line, especially in figurative art, as a concept and g...
Theoretical part of the thesis describes my research on beginnings of abstract painting primarily co...
In an era of ever more perfect digital tools, the ability to draw is no longer regarded as necessary...
In 1927, Franciszek Siedlecki published his work entitled Grafika polska w oewietle krytyki zagranic...
W artykule opisano związki między umiejętnością aktywnej percepcji przestrzeni a rysunkiem odręcznym...
To paraphrase Deleuze, movement always happens behind a thinker’s back, or when he blinks, and, whil...
Središnji je interes ovog završnog rada, kratak pregled crte kao pojma u likovnoj umjetnosti te povi...
The circle as a basic form to be found in nature and in artificial objects has been the departure po...
Getulio Alviani considered drawings by Vaclav Szpakowski as ‘timeless’. Szpakowski did not follow an...
Three authors examine the photographs, drawings, notebooks and ideas of Polish artist/architectural ...
Vaclav Szpakowski and primary pointVaclav Szpakowski tried to capture and formulate by symmetry and...
Vaclav Szpakowski tried to capture and formulate by symmetry and rhythm, the rules of nature’s geome...
In the paper, I recall three independent individuals, whose work oscillated around conceptual art. T...
In this paper I present the specific issues of contemporary abstract art, which negated the classic ...
Drawing is the easiest language to communicate. It is the fastest and most personal way to write dow...
The bachelor's thesis deals with the topic of line, especially in figurative art, as a concept and g...
Theoretical part of the thesis describes my research on beginnings of abstract painting primarily co...
In an era of ever more perfect digital tools, the ability to draw is no longer regarded as necessary...
In 1927, Franciszek Siedlecki published his work entitled Grafika polska w oewietle krytyki zagranic...
W artykule opisano związki między umiejętnością aktywnej percepcji przestrzeni a rysunkiem odręcznym...
To paraphrase Deleuze, movement always happens behind a thinker’s back, or when he blinks, and, whil...
Središnji je interes ovog završnog rada, kratak pregled crte kao pojma u likovnoj umjetnosti te povi...
The circle as a basic form to be found in nature and in artificial objects has been the departure po...