One popular genre of YouTube content in the Philippines is the Miss Universe reaction video made by queer fans during pageant viewing parties. The videos show hysterical and dramatic expressions of fans which are conceptualized as a form of queer expression, kabaklaan [Diaz (2018). Biyuti from below: Contemporary Philippine cinema and the transing of Kabaklaan. Transgender Studies Quarterly, 5(3), 404–424]. By analyzing the circulation of the videos, the present study aims to identify the roles of YouTube users and digital platforms in the transformations of the queer expression. My findings suggest that the affordances of YouTube (visibility, participation, dissemination) contribute to the commodification of the reaction videos and the pop...
In this article, I will examine how Kuduro and YouTube provide a space for depictions of intersectio...
My Best Gay Friends is a Vietnamese gay sitcom web-series that was well received by Youtube viewers....
This article investigates the role of fans as content regulators in what we call the China model of ...
Since the late twentieth century, lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have...
This paper re-examines YouTube as a site of feminine, networked, and intimate sociality among Filipi...
Cataloged from PDF version of article.Thesis (M.S.): Bilkent University, Department of Communication...
Makeup tutorials, cooking demonstrations, cocktail recipes, fashion reviews: these are the topics do...
YouTube, as both a video-sharing platform and a social media platform, has become a dynamic space fo...
YouTubers are idols, and influence millions of people who follow their channels every day. These new...
Through analyzing videos from five trans men’s YouTube transition channels, this thesis amplifies th...
Since the late 2000s, the Korean pop music industry (K-pop) has made significant progress outperform...
Since its launch in 2005, YouTube has fast become one of the most popular video sharing sites, one o...
This paper looks at how dominant gender ideologies are (re)produced in the new media in Singapore, p...
In traditional applications of queer theory onto the cinematic medium, reading the subtext as a spec...
Social media is currently one of the most effective platforms for self-expression. The media current...
In this article, I will examine how Kuduro and YouTube provide a space for depictions of intersectio...
My Best Gay Friends is a Vietnamese gay sitcom web-series that was well received by Youtube viewers....
This article investigates the role of fans as content regulators in what we call the China model of ...
Since the late twentieth century, lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have...
This paper re-examines YouTube as a site of feminine, networked, and intimate sociality among Filipi...
Cataloged from PDF version of article.Thesis (M.S.): Bilkent University, Department of Communication...
Makeup tutorials, cooking demonstrations, cocktail recipes, fashion reviews: these are the topics do...
YouTube, as both a video-sharing platform and a social media platform, has become a dynamic space fo...
YouTubers are idols, and influence millions of people who follow their channels every day. These new...
Through analyzing videos from five trans men’s YouTube transition channels, this thesis amplifies th...
Since the late 2000s, the Korean pop music industry (K-pop) has made significant progress outperform...
Since its launch in 2005, YouTube has fast become one of the most popular video sharing sites, one o...
This paper looks at how dominant gender ideologies are (re)produced in the new media in Singapore, p...
In traditional applications of queer theory onto the cinematic medium, reading the subtext as a spec...
Social media is currently one of the most effective platforms for self-expression. The media current...
In this article, I will examine how Kuduro and YouTube provide a space for depictions of intersectio...
My Best Gay Friends is a Vietnamese gay sitcom web-series that was well received by Youtube viewers....
This article investigates the role of fans as content regulators in what we call the China model of ...