In the sixteenth century an idiomatic keyboard style developed. The center of this development was at St. Mark's in Venice. The organists' at St. Mark's were among the first to develop a true style for keyboard. This paper is concerned with the reasons for this development which may be seen in the works of Andrea Gabrieli, one of the famous organists at St. Mark's. An analysis of selected organ works of Gabrieli illustrates the digression from the typical Franco-Flemish vocal style of the period.Music, Moores School o
Early Music, its history, theory and practice, has become a vigorously discussed theme in the field ...
RILM abstract: The organ, harpsichord, clavichord, and piano have different articulative characteri...
My Bachelor´s work deals with diminutions in music for keyboard instruments in various parts of Euro...
The text extensively introduces the first (nearly) complete recording of Giovanni Gabrieli's keyboar...
This thesis is a study of the Canzon in Echo Duodecimi Toni (number twelve) by Giovanni Gabrieli, an...
This study assesses the nature of sixteenth-century intabulation processes. Rather than being merely...
English Organ Music in the Seventeenth Century: a Reappraisal English keyboard music of the middl...
English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and earl...
The purpose of this paper is to analyze the impact that Baroque society had in the development of th...
Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyb...
At the end of the sixteenth century, Simone Verovio printed a series of canzonetta anthologies in Ro...
The fortepiano had a rough beginning. In 1709 it entered a world that was not quite ready for it; a ...
This research project deals with the galant aspects of Wilhelm Friedemann Bach’s eight keyboard fugu...
The first two chapters are designed to guide the reader to existing literature on early English keyb...
This dissertation takes as its historical point of departure the radical appearance in print in 1777...
Early Music, its history, theory and practice, has become a vigorously discussed theme in the field ...
RILM abstract: The organ, harpsichord, clavichord, and piano have different articulative characteri...
My Bachelor´s work deals with diminutions in music for keyboard instruments in various parts of Euro...
The text extensively introduces the first (nearly) complete recording of Giovanni Gabrieli's keyboar...
This thesis is a study of the Canzon in Echo Duodecimi Toni (number twelve) by Giovanni Gabrieli, an...
This study assesses the nature of sixteenth-century intabulation processes. Rather than being merely...
English Organ Music in the Seventeenth Century: a Reappraisal English keyboard music of the middl...
English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and earl...
The purpose of this paper is to analyze the impact that Baroque society had in the development of th...
Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyb...
At the end of the sixteenth century, Simone Verovio printed a series of canzonetta anthologies in Ro...
The fortepiano had a rough beginning. In 1709 it entered a world that was not quite ready for it; a ...
This research project deals with the galant aspects of Wilhelm Friedemann Bach’s eight keyboard fugu...
The first two chapters are designed to guide the reader to existing literature on early English keyb...
This dissertation takes as its historical point of departure the radical appearance in print in 1777...
Early Music, its history, theory and practice, has become a vigorously discussed theme in the field ...
RILM abstract: The organ, harpsichord, clavichord, and piano have different articulative characteri...
My Bachelor´s work deals with diminutions in music for keyboard instruments in various parts of Euro...