This book is the only full-length study of John Talman (1677-1726), the first director of the Society of Antiquaries of London and one of the most influential collectors of drawings in early-eighteenth-century Britain. Prominent scholars discuss the history of Talman's acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman's collection, ammassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual elites in pre-Enlightenment Europe. A vehicle for disse...
This thesis examines the art and career of John Sell Cotman (1782-1842), one of the most inventive y...
The 177 essays in these two richly illustrated volumes represent the cutting edge of Italian Renaiss...
This thesis examines the evolution of connoisseurship before and after the exhibition ‘Art Treasures...
The essay explore John Talman's relations with the Medici Court, focusing the attention on how nurtu...
The essay analyses in depth the drawings of stained glass windows from Norfolk churches gathered in ...
L'articolo illustra i problemi e le soluzioni informatiche che hanno reso possibile la creazione del...
[Vente. Art. 1728-04-04 - 1728-04-10. Londres][Collection. Art. Littlejohn, Doctor. 1728][Collection...
Storia della formazione della collezione di disegni di John Talman e della sua dispersion
This article presents two unpublished drawings coming from the Largest Talman Album, a voluminous co...
Like many antiquarians of his day, the German art historian and archaeologist Johann Joachim Winckel...
Bonfait Olivier. John Shearman, Only Connect... Art and the Spectator in the Italian Renaissance. In...
Chastel André. John Southern: Power and Display in Seventeenth Century. The Arts and their Patrons i...
The study of provenance—the history of the creation and ownership of an artefact, work of art, or sp...
John Aubrey (1626-1697), antiquary, natural philosopher, and virtuoso, is best-remembered today for ...
The study of emotions and antiquarianism is an exciting and yet underexplored field of research. Rec...
This thesis examines the art and career of John Sell Cotman (1782-1842), one of the most inventive y...
The 177 essays in these two richly illustrated volumes represent the cutting edge of Italian Renaiss...
This thesis examines the evolution of connoisseurship before and after the exhibition ‘Art Treasures...
The essay explore John Talman's relations with the Medici Court, focusing the attention on how nurtu...
The essay analyses in depth the drawings of stained glass windows from Norfolk churches gathered in ...
L'articolo illustra i problemi e le soluzioni informatiche che hanno reso possibile la creazione del...
[Vente. Art. 1728-04-04 - 1728-04-10. Londres][Collection. Art. Littlejohn, Doctor. 1728][Collection...
Storia della formazione della collezione di disegni di John Talman e della sua dispersion
This article presents two unpublished drawings coming from the Largest Talman Album, a voluminous co...
Like many antiquarians of his day, the German art historian and archaeologist Johann Joachim Winckel...
Bonfait Olivier. John Shearman, Only Connect... Art and the Spectator in the Italian Renaissance. In...
Chastel André. John Southern: Power and Display in Seventeenth Century. The Arts and their Patrons i...
The study of provenance—the history of the creation and ownership of an artefact, work of art, or sp...
John Aubrey (1626-1697), antiquary, natural philosopher, and virtuoso, is best-remembered today for ...
The study of emotions and antiquarianism is an exciting and yet underexplored field of research. Rec...
This thesis examines the art and career of John Sell Cotman (1782-1842), one of the most inventive y...
The 177 essays in these two richly illustrated volumes represent the cutting edge of Italian Renaiss...
This thesis examines the evolution of connoisseurship before and after the exhibition ‘Art Treasures...