In Tudor and Stuart England performers (either players or fringe entertainers), vagrant and criminals were associated by the law as they were in their daily activities. My purpose in this essay is to throw some light on certain aspects of marginal performance practices in those times. In order to do this, I will focus my attention on jugglers and on the complex social and cultural network of which they were part
This essay addresses the controversy around the antitheatrical epilogue to the anonymous Tudor play ...
This thesis investigates the contribution and significance in performance of supernumeraries in Brit...
Note:This thesis is about the types of social dancing in which Courtlysociety engaged during the Tud...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
This dissertation argues that Shakespeare's plays Othello, The Taming of the Shrew, and The Winter's...
Contemporary sources use the word “minstrel” to describe a wide social range of musical entertainers...
This thesis studies the social experience and cultural construction of vagrancy between 1650 and 175...
Contemporary sources use the word “minstrel” to describe a wide social range of musical entertainers...
The first social and cultural history of vagrancy between 1650 and 1750, this book combines sources ...
Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth...
This essay looks at travelling players' visits to the Essex town of Maldon. It explores what the his...
This essay focuses on provincial libel cases between private individuals tried at the court of Star ...
This essay examines the performative aspect of observances and festivities associated with Rogationt...
This study explores the cultural implications of theatrical performance in early modern England. Eve...
This thesis is concerned with the early modem court masques (chiefly those produced during the reign...
This essay addresses the controversy around the antitheatrical epilogue to the anonymous Tudor play ...
This thesis investigates the contribution and significance in performance of supernumeraries in Brit...
Note:This thesis is about the types of social dancing in which Courtlysociety engaged during the Tud...
Minstrels, morris dancers, and players participated in the lively social intercourse of Cornwall in ...
This dissertation argues that Shakespeare's plays Othello, The Taming of the Shrew, and The Winter's...
Contemporary sources use the word “minstrel” to describe a wide social range of musical entertainers...
This thesis studies the social experience and cultural construction of vagrancy between 1650 and 175...
Contemporary sources use the word “minstrel” to describe a wide social range of musical entertainers...
The first social and cultural history of vagrancy between 1650 and 1750, this book combines sources ...
Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth...
This essay looks at travelling players' visits to the Essex town of Maldon. It explores what the his...
This essay focuses on provincial libel cases between private individuals tried at the court of Star ...
This essay examines the performative aspect of observances and festivities associated with Rogationt...
This study explores the cultural implications of theatrical performance in early modern England. Eve...
This thesis is concerned with the early modem court masques (chiefly those produced during the reign...
This essay addresses the controversy around the antitheatrical epilogue to the anonymous Tudor play ...
This thesis investigates the contribution and significance in performance of supernumeraries in Brit...
Note:This thesis is about the types of social dancing in which Courtlysociety engaged during the Tud...