The present paper intends to look at a genre of popular paperbacks, written by and about would-be or new mothers, called mom lit, which itself is a sub-genre of chick lit, and to investigate how it negotiates with the tropes of mothering, neotraditionalism, work and domesticity. Though books have been published worldwide that can be classified under this genre, here the focus will be on British and American mom lit (limiting ourselves to three novels) and how the legacy of a variety of popular productions like childcare books and mothering blogs – among others – inform it. A review of the critical literature, feminist as well as postfeminist, will be undertaken so as to contextualize these novels. Issues analysed include the debate regardin...