Trained at the acting school of Luigi Rasi in Florence, Amerigo Guasti affirmed himself as appreciated Brillante between 19th and 20th century. As well as being a good interpreter, he is a skilled ‘Capocomico’ and director of his own companies. Since 1906 he establishes a permanent collaboration with Dina Galli. He is also a translator and author of dramatic texts, newspaper articles and an autobiographical book
Born into an acting family, she began her career in companies in Tuscany. She gained her first leadi...
Luigi Candoni (1921-1974) today: an almost unknown author, despite he witnessed the tran-sition from...
Who is Alessandro Varaldo (1876-1953)? This first analysis about what was said, adapted and translat...
The section is devoted to the biographical profiles of Dina Galli (1877-1951), Antonio Gandusio (187...
Trained in the great family of Edoardo Ferravilla’s Milanese dialect companies, in early twentieth c...
An atypical actor of the 19th century theatre world, Luigi Rasi retired from the stage early to assu...
From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was gr...
Antonio Gandusio is among the last Brillante to tread the Italian scenes. Not a son of art, he becom...
‘Amorosa’, then leading actress, the most appreciated and sought after actress of the 1830s. She had...
The aim of the paper is to study the celebrated Adamastor’s episode in Camoens’ Lusiads ...
Leonardo Manigrasso has made use of the most up-to-date tools made available by stylistic criticism ...
Presenza teorica di E. d'Ors in Italia nel secondo Dopoguerra, con particolare riferimento a Luciano...
Alessandro Gavazzi, ex-barnabita, emigra in Inghilterra dopo la caduta della Repubblica romana e poi...
A modestly talented actor and playwright, Bartoli acted with his wife Teodora Medebach in the theatr...
Il contributo esamina la morfologia e l’articolazione del personaggio strambo nella produzione celat...
Born into an acting family, she began her career in companies in Tuscany. She gained her first leadi...
Luigi Candoni (1921-1974) today: an almost unknown author, despite he witnessed the tran-sition from...
Who is Alessandro Varaldo (1876-1953)? This first analysis about what was said, adapted and translat...
The section is devoted to the biographical profiles of Dina Galli (1877-1951), Antonio Gandusio (187...
Trained in the great family of Edoardo Ferravilla’s Milanese dialect companies, in early twentieth c...
An atypical actor of the 19th century theatre world, Luigi Rasi retired from the stage early to assu...
From 1732 to 1749, the contribution of San Samuele acting company to the diffusion of tragedy was gr...
Antonio Gandusio is among the last Brillante to tread the Italian scenes. Not a son of art, he becom...
‘Amorosa’, then leading actress, the most appreciated and sought after actress of the 1830s. She had...
The aim of the paper is to study the celebrated Adamastor’s episode in Camoens’ Lusiads ...
Leonardo Manigrasso has made use of the most up-to-date tools made available by stylistic criticism ...
Presenza teorica di E. d'Ors in Italia nel secondo Dopoguerra, con particolare riferimento a Luciano...
Alessandro Gavazzi, ex-barnabita, emigra in Inghilterra dopo la caduta della Repubblica romana e poi...
A modestly talented actor and playwright, Bartoli acted with his wife Teodora Medebach in the theatr...
Il contributo esamina la morfologia e l’articolazione del personaggio strambo nella produzione celat...
Born into an acting family, she began her career in companies in Tuscany. She gained her first leadi...
Luigi Candoni (1921-1974) today: an almost unknown author, despite he witnessed the tran-sition from...
Who is Alessandro Varaldo (1876-1953)? This first analysis about what was said, adapted and translat...