Postwar film writings of Tadeusz Peiper are the protest against “the policics of the voice” (M. Dolar) of the Polish social realist and propaganda films. Escaping from be-ing involved in communist ideology, the author creates a cinematic theory concentrated on nonverbal elements. An important role is played by categories extremely far from the constructivist discourse of art (nostalgia, community, non-human)
Cinema under pressureThe article contains a synthetic look at the issue of film censorship, taking i...
Cinema under pressureThe article contains a synthetic look at the issue of film censorship, taking i...
The main aim of the article is to present the specific nature of the Yugoslavian and Post-Yugoslavi...
The article is devoted to the phenomenon of political censorship in the Polish cinematography from t...
In the movie Dzień świra – one of the most popular Polish comedies of the recent years – Marek Koter...
The article raises the issue from the circle of the poetics of a contemporary Polish cartoon. The f...
On the example of the film version of Ashes (Popioły) by Stefan Żeromski directed by Andrzej Wajda i...
The Subject-matter of my consideration covers chosen films about schools made in the United States ...
The authoress re-examines one of the first experimental avant-garde films made in Poland in an inter...
In Serach of the Form. Images of the Holocaust in student films of the Polish National Film School T...
The author discusses the work of the Łodz multimedia artist, filmmaker, photographer, member of the ...
The Methodological Problems of Studies on the History of Polish Postwar Documentary The author discu...
Yiddish Cinema in the Prewar Polish Lands: The Socio-political and Cultural ContextsThe article is a...
Director/writer/actor Roman Polanski is one of the central figures in the history of Film School in...
In accordance with Susan Sontag’s thesis on camp, camp is purely in the eye of the beholder, with it...
Cinema under pressureThe article contains a synthetic look at the issue of film censorship, taking i...
Cinema under pressureThe article contains a synthetic look at the issue of film censorship, taking i...
The main aim of the article is to present the specific nature of the Yugoslavian and Post-Yugoslavi...
The article is devoted to the phenomenon of political censorship in the Polish cinematography from t...
In the movie Dzień świra – one of the most popular Polish comedies of the recent years – Marek Koter...
The article raises the issue from the circle of the poetics of a contemporary Polish cartoon. The f...
On the example of the film version of Ashes (Popioły) by Stefan Żeromski directed by Andrzej Wajda i...
The Subject-matter of my consideration covers chosen films about schools made in the United States ...
The authoress re-examines one of the first experimental avant-garde films made in Poland in an inter...
In Serach of the Form. Images of the Holocaust in student films of the Polish National Film School T...
The author discusses the work of the Łodz multimedia artist, filmmaker, photographer, member of the ...
The Methodological Problems of Studies on the History of Polish Postwar Documentary The author discu...
Yiddish Cinema in the Prewar Polish Lands: The Socio-political and Cultural ContextsThe article is a...
Director/writer/actor Roman Polanski is one of the central figures in the history of Film School in...
In accordance with Susan Sontag’s thesis on camp, camp is purely in the eye of the beholder, with it...
Cinema under pressureThe article contains a synthetic look at the issue of film censorship, taking i...
Cinema under pressureThe article contains a synthetic look at the issue of film censorship, taking i...
The main aim of the article is to present the specific nature of the Yugoslavian and Post-Yugoslavi...