Cultural and creative industries are now an established area of academic research. Yet, the welcome innovations that are associated with the development of a new field of study are also matched by confusions and conjectures. The term itself, ‘cultural and creative industries’, is the subject of extensive debate. It goes hand in hand with closely related concepts such as ‘creative economy’, as well as reflecting definitional struggles aimed at conjoining or demarcating the creative and the cultural. Many of these debates have been the subject of sociological research and research in Sociology. This collection considers that specific role of sociology, and Sociology, to the study of cultural and creative industries. The e-special issue collec...
Addressed to academics and advanced students in all fields of the social sciences and humanities, Th...
The processes underpinning the production and circulation of culture have long been a source of fasc...
This article argues that the emerging field of creative industry studies, for reasons of its inter-d...
Cultural and creative industries are now an established area of academic research. Yet, the welcome ...
This article presents a new critical engagement with the concept of Cultural and Creative Industries...
The aim of this article is to examine the relationship between the creative industries, culture and ...
This article seeks to assess the underlying factors behind the hype around the creative economy. One...
The purpose of the study is to identify the features of the cultural industries’ concept formation a...
Across post-industrial societies worldwide, the creative industries are increasingly seen as a key e...
bstract This unpublished paper was submitted to the May 22-23 conference on IPR at Birkbeck College,...
The chapter considers changing definitions of creativity in relation to UK cultural policy and pract...
Although Creative Industries as engines of post-industrial economies have assumed an increasing glob...
This chapter presents a rationale for distinguishing between notions of cultural and creative indust...
It has now been over a decade since the concept of creative industries was first put into the public...
This submission is in five sections and includes my analysis of the New Labour Creative Industries P...
Addressed to academics and advanced students in all fields of the social sciences and humanities, Th...
The processes underpinning the production and circulation of culture have long been a source of fasc...
This article argues that the emerging field of creative industry studies, for reasons of its inter-d...
Cultural and creative industries are now an established area of academic research. Yet, the welcome ...
This article presents a new critical engagement with the concept of Cultural and Creative Industries...
The aim of this article is to examine the relationship between the creative industries, culture and ...
This article seeks to assess the underlying factors behind the hype around the creative economy. One...
The purpose of the study is to identify the features of the cultural industries’ concept formation a...
Across post-industrial societies worldwide, the creative industries are increasingly seen as a key e...
bstract This unpublished paper was submitted to the May 22-23 conference on IPR at Birkbeck College,...
The chapter considers changing definitions of creativity in relation to UK cultural policy and pract...
Although Creative Industries as engines of post-industrial economies have assumed an increasing glob...
This chapter presents a rationale for distinguishing between notions of cultural and creative indust...
It has now been over a decade since the concept of creative industries was first put into the public...
This submission is in five sections and includes my analysis of the New Labour Creative Industries P...
Addressed to academics and advanced students in all fields of the social sciences and humanities, Th...
The processes underpinning the production and circulation of culture have long been a source of fasc...
This article argues that the emerging field of creative industry studies, for reasons of its inter-d...