Female Corporeality and the Sublimation of Pain: A Study of The Pakistani Bride by Bapsi Sidhwa

This study explores in detail the crisis of female corporeality and how the self sublimates the resultant pain into psychological empowerment. Pakistani women have long been viewed as having no space for themselves. They could not master their choices or muster up courage to fight for the fulfillment of their desires. Similarly, the female characters in Bapsi Sidhwa’s novel The Pakistani Bride (1990) appear to be oppressed and marginalized entities, dependent on men for their socio-economic needs. Yet, this research argues that their corporeal pain transforms into a psycho-emotional haven providing them a space of their own to think and make their own decisions. This specific strand has been a neglected area of research in the Sub-continental context. The research design used in this study is qualitative while the textual analysis is used as a method to analyze the data. The research pursues feminist literary standpoint theory posited by bell hooks (2004) in the postcolonial feminist context, while the Foucauldian (1979) concept of “Panopticism” (p. 195) and “Docile Body” (p. 135) are threaded to highlight the concept of complete physical and mental surveillance of the autonomous body/person in order to investigate the shift of gender/power roles from male hegemony to female empowerment