Poetics of the folk play in Brešan's plays

U diplomskome radu istražuje se poetika pučkog kazališta, odnosno pučkoga igrokaza u Brešanovim dramama, preciznije u dramama koje su nastale u devedesetim godinama. Analizu smo suzili na tri dramska djela: komediju Veliki manevri u tijesnim ulicama, komediju Nihilist iz Vele mlake i povijesnu komediju Stani malo, Zvonimire. Rad je u uvodnim dijelovima posvećen definiranju pučkoga igrokaza i njegovu razvoju u hrvatskoj književnosti. Polazeći od pretpostavke da je pisac polazio od tradicionalnog modela pučkoga komada koji se razvijao u hrvatskoj književnosti još od 19. stoljeća, istražuje se kako u navedenim dramama nastojimo pronaći povezanost s modelom pučkoga igrokaza, ali s drukčijom razradom koja prati suvremenu dramaturgiju. Sintezom dvaju modela očituje se Brešanova uloga u suvremenom hrvatskom kazalištu i stvaranje novoga modela ili inačice pučkoga igrokaza.The graduation thesis talks about the poetics of folk plays in Brešan’s plays, more precisely in the dramas that were created in nineties. We narrowed down the analysis to three dramatic plays: the comedy Great maneuvers in narrow streets, the comedy Nihilist from Vela mlaka and the historical comedy Stop, Zvonimir. The work is mostly devoted to the definition of folk plays and its development in Croatian literature. In Ivo Brešan's dramas, we started from the assumption that the writer was starting from the traditional model of a folk play which has been developing in Croatian literature since the 19 century. Likewise, in mentioned dramas, we can see connection with the model of a folk play, but with different elaboration, following the contemporary dramaturgy. The synthesis of these two models reveals Brešan’s role in contemporary Croatian theater and the creation of a new folk play