Add to ORKGThis is an illustrated overview of four kinds of camouflage (blending, countershading, mimicry, and disruption), with examples of their common occurrence in nature, as well as their adoption as wartime deception strategies. A central aspect of the film is the involvement of artists, designers, and architects, in studies of both military and natural camouflage. Part 1 of a series of 4. Written, produced and narrated by UNI Emeritus Professor Roy R. Behrens (©2022).https://scholarworks.uni.edu/behrens_videos/1007/thumbnail.jp
Throughout the Second World War camouflage was employed to conceal and counterfeit the military’s pr...
60 p. ill. 1st edition. Typography by Lewis F. White --title-page verso. Includes bibliography. Fr...
While one has evolved and the other been consciously created, animal and military camouflage are exp...
An engaging and often amusing account of the little known use of artists, designers, and architects ...
There is no way to know when camouflage was first practiced, but it is known that the first official...
In the first half of the 20th century, Gestalt psychologists researched the inherent tendencies of h...
This is a 30-minute illustrated talk about the interconnections between Modernism in art and literat...
In a number of books on visual fine art and design [1, 2], there is mention of the kinship between c...
This is an encyclopedic sourcebook on the history and theory of Modern-era camouflage, both biologic...
The word camouflage is derived from the 16th century French word camouflet, which translates as a pr...
Against a contemporary backdrop of ceaseless military action, camouflage has been adopted by civilia...
Second World War British Military Camouflage offers an original approach to the cultures and geograp...
This is a project exploring camouflage and multifocality as a practice and theory based research, re...
Research is focused on the impact of artistic styles and evolution of XX-th century art upon main fo...
To camouflage is to adapt in a situation. The word is used in different ways with many connotations ...
Throughout the Second World War camouflage was employed to conceal and counterfeit the military’s pr...
60 p. ill. 1st edition. Typography by Lewis F. White --title-page verso. Includes bibliography. Fr...
While one has evolved and the other been consciously created, animal and military camouflage are exp...
An engaging and often amusing account of the little known use of artists, designers, and architects ...
There is no way to know when camouflage was first practiced, but it is known that the first official...
In the first half of the 20th century, Gestalt psychologists researched the inherent tendencies of h...
This is a 30-minute illustrated talk about the interconnections between Modernism in art and literat...
In a number of books on visual fine art and design [1, 2], there is mention of the kinship between c...
This is an encyclopedic sourcebook on the history and theory of Modern-era camouflage, both biologic...
The word camouflage is derived from the 16th century French word camouflet, which translates as a pr...
Against a contemporary backdrop of ceaseless military action, camouflage has been adopted by civilia...
Second World War British Military Camouflage offers an original approach to the cultures and geograp...
This is a project exploring camouflage and multifocality as a practice and theory based research, re...
Research is focused on the impact of artistic styles and evolution of XX-th century art upon main fo...
To camouflage is to adapt in a situation. The word is used in different ways with many connotations ...
Throughout the Second World War camouflage was employed to conceal and counterfeit the military’s pr...
60 p. ill. 1st edition. Typography by Lewis F. White --title-page verso. Includes bibliography. Fr...
While one has evolved and the other been consciously created, animal and military camouflage are exp...