In this paper, I examine the ideas regarding image reception that can be extracted from the De altera uita, a theological treatise written by the Iberian bishop Lucas de Tui in ca. 1230. In this book, he devotes one chapter to rejecting the changes that were taking place at the time in the image of the Crucifixion, especially concerning the variation in the number of nails and the shape of the cross. I will show that this text provides illuminating references regarding image reception, mainly through Lucas’s concerns about the visual misleading of the faithful and their devotional responses to artworks. By examining this work, which I will set against the theological and devotional background of its time, I will argue that this treatise ref...
Crucifixion scenes in late medieval Ireland, as was typical elsewhere in Europe at the time, largely...
The thesis analyses the transformations of the image of Antichrist in European art during the Renais...
Blood on the Cross investigates contemporary perceptions of the violent imagery of crucifixi doloros...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alter...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alte...
Christianity is a religion of word and image. Both media have played an important role in the proces...
The Vita sancti Evurtii, written at the beginning of the 9th century, relates to the Evurtius, the f...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
Includes bibliographical references.Includes illustrations.This thesis traces the iconographic devel...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
Against the background of a general discussion of medieval devotional practices connected to the cru...
What is to be understood as «power of images»? The documents produced by the Roman Inquisition open ...
Crucifixion scenes in late medieval Ireland, as was typical elsewhere in Europe at the time, largely...
The thesis analyses the transformations of the image of Antichrist in European art during the Renais...
Blood on the Cross investigates contemporary perceptions of the violent imagery of crucifixi doloros...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alter...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alte...
Christianity is a religion of word and image. Both media have played an important role in the proces...
The Vita sancti Evurtii, written at the beginning of the 9th century, relates to the Evurtius, the f...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
Includes bibliographical references.Includes illustrations.This thesis traces the iconographic devel...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
Against the background of a general discussion of medieval devotional practices connected to the cru...
What is to be understood as «power of images»? The documents produced by the Roman Inquisition open ...
Crucifixion scenes in late medieval Ireland, as was typical elsewhere in Europe at the time, largely...
The thesis analyses the transformations of the image of Antichrist in European art during the Renais...
Blood on the Cross investigates contemporary perceptions of the violent imagery of crucifixi doloros...