Add to ORKGL'articolo descrive l'inizio della pratica della pittura infamante in Italia e ne spiega la nascita connettendone l'origine alla coeva pratica del bando.The paper describes the origins of defamatory painting in communal italy and it explains its appareance with the contemporary practice of banishemen
Leaving one’s personal mark at a site of cult is an age-old practice attested in several religions, ...
Analysant le problème de la recrudescence des thèmes de la Déposition, de la Lamentation et de la Mi...
Where are the boundaries of defining a monographic theme? The paper concerns itself with the present...
International audienceDuring Middle Ages, sculptors, preachers, poets and painters employed the imag...
Fragments of medieval paintings survive on two walls of the ancient municipal palace of Brescia (Bro...
Through the analysis of some case-studies this paper aims to unveil an unknown genre of defamatory p...
[Forms of trial and shapes of truth. Rhetorical interpretation of painting The Calumny by Sandro Bot...
This article analises the double faced figure of the fresco of "The Good and Bad Judge", in the co...
'Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909' explores the phe...
From 1475 to 1550, North Italian artists and their patrons responded to tumultuous events such as th...
The article suggestively called Damnatio memoriae. Historical and moral revenge in images is conside...
Uno studio delle rappresaglie e del dibattito giuridico al riguardoThe essay aims to study a series ...
The paper analyzes a documentary roll, kept at the State Archive of Mantua, which recount the viciss...
The paper analyzes a documentary roll, kept at the State Archive of Mantua, which recount the viciss...
This chapter focuses on criminal law prevention and punishment of art forgery in the Italian legal f...
Leaving one’s personal mark at a site of cult is an age-old practice attested in several religions, ...
Analysant le problème de la recrudescence des thèmes de la Déposition, de la Lamentation et de la Mi...
Where are the boundaries of defining a monographic theme? The paper concerns itself with the present...
International audienceDuring Middle Ages, sculptors, preachers, poets and painters employed the imag...
Fragments of medieval paintings survive on two walls of the ancient municipal palace of Brescia (Bro...
Through the analysis of some case-studies this paper aims to unveil an unknown genre of defamatory p...
[Forms of trial and shapes of truth. Rhetorical interpretation of painting The Calumny by Sandro Bot...
This article analises the double faced figure of the fresco of "The Good and Bad Judge", in the co...
'Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909' explores the phe...
From 1475 to 1550, North Italian artists and their patrons responded to tumultuous events such as th...
The article suggestively called Damnatio memoriae. Historical and moral revenge in images is conside...
Uno studio delle rappresaglie e del dibattito giuridico al riguardoThe essay aims to study a series ...
The paper analyzes a documentary roll, kept at the State Archive of Mantua, which recount the viciss...
The paper analyzes a documentary roll, kept at the State Archive of Mantua, which recount the viciss...
This chapter focuses on criminal law prevention and punishment of art forgery in the Italian legal f...
Leaving one’s personal mark at a site of cult is an age-old practice attested in several religions, ...
Analysant le problème de la recrudescence des thèmes de la Déposition, de la Lamentation et de la Mi...
Where are the boundaries of defining a monographic theme? The paper concerns itself with the present...