Morfologia e sintassi dello spazio: testo e progetto architettonico

Currently, in the disciplinary debate about the fundamental contents of architecture and urban design, it is possible to recognize a substantial convergence between cultural homogenization and the will to aestheticize oriented towards the shared level of the mass communication requests. The architectural and urban studies lives a moment in which each and everyone tends to qualify the cultural and aesthetic production of the other as subjective and arbitrary, disjointed from any unitary and objective global context. The renewal of relations between architectonic and geographical domain, always present in the urban process and in the study of type aimed at the project level, seems to be the Rosetta stone to understand the “architectural text”. Lines and geometry of the space and of construction, represented in the map, seem to emerge in the chaos of cartographic signs as syntactic traces of a collective work. A text that we can edit inside the continuing process that has generated it