We are in fact poised in between the hypothesis of the deprivation or of the end of memory and time, and the hypothesis of a breathtaking creative power that makes us lords and masters of every history. And if saying “history” means memory and collective identity, it is obvious that our “giving back a sense” to the past is interlaced with the genesis of subjectivities that are the holders of memory, or, better, their producers. Besides, if we want to ask what function had the historical memory within the modern novel, looking for answers of a general order or, in other words, theories, we ought to look for them in the field of media hybridization
In the first half of the twentieth century, the sociologist Maurice Halbwachs and the literary criti...
The chapters in this anthology discuss the rapid change of digital media technologies and the way th...
How do we rely on media for remembering? In exploring the complex ways that media converge to suppor...
The media dynamically and complexly shape the forms and processes of remembering, transforming diffe...
Storytelling is old, but in our digital age its means are new. When an event of huge cultural signif...
Over the last two decades, the concept of memory has assumed an important position in the humanities...
Starting from the central importance of memory in contemporary societies, this book encourages a tra...
In the modern, overabundant information landscape, information is accessible on and across multiple ...
New collective memory A new critical discourse on memory has emerged in recent times in response to ...
One of the most substantial interdisciplinary topics in the study of contemporary culture is change ...
The medium television has been accused of being amnesiac or a producer of forgetfulness. However, re...
My dissertation explores the notion that human memory is technical, prosthetic, and has been connect...
The paper suggests that literary discourse provides “realms of memory” that are necessary, according...
An argument is made for the need to conceptualize cultural memory, not as merely derivative of indi...
International audienceRecounting past events is intrinsic to the storytelling function, as most fict...
In the first half of the twentieth century, the sociologist Maurice Halbwachs and the literary criti...
The chapters in this anthology discuss the rapid change of digital media technologies and the way th...
How do we rely on media for remembering? In exploring the complex ways that media converge to suppor...
The media dynamically and complexly shape the forms and processes of remembering, transforming diffe...
Storytelling is old, but in our digital age its means are new. When an event of huge cultural signif...
Over the last two decades, the concept of memory has assumed an important position in the humanities...
Starting from the central importance of memory in contemporary societies, this book encourages a tra...
In the modern, overabundant information landscape, information is accessible on and across multiple ...
New collective memory A new critical discourse on memory has emerged in recent times in response to ...
One of the most substantial interdisciplinary topics in the study of contemporary culture is change ...
The medium television has been accused of being amnesiac or a producer of forgetfulness. However, re...
My dissertation explores the notion that human memory is technical, prosthetic, and has been connect...
The paper suggests that literary discourse provides “realms of memory” that are necessary, according...
An argument is made for the need to conceptualize cultural memory, not as merely derivative of indi...
International audienceRecounting past events is intrinsic to the storytelling function, as most fict...
In the first half of the twentieth century, the sociologist Maurice Halbwachs and the literary criti...
The chapters in this anthology discuss the rapid change of digital media technologies and the way th...
How do we rely on media for remembering? In exploring the complex ways that media converge to suppor...