The massive presence of alchemical diagrams in the Testamentum of Pseudo Ramon Llull makes it possible to analyse in a pertinent way the development of a diagrammatic thought aimed at the teaching of alchemical science. The analysis of the key figures of a manuscript kept at the Kantonsbibliothek Vadiana in St Gall allows not only to understand the general functioning of the alchemical figures, but also to underline the methodological changes due to the passage from the manuscript to the printed book. La massiccia presenza di diagrammi alchemici nel Testamentum di Pseudo Raimondo Lullo consente di analizzare in modo pertinente lo sviluppo di un pensiero diagrammatico finalizzato all’insegnamento della scienza alchemica. L’analisi delle...
“Unfolded Worlds: Allegory, Alchemy, and The Image As Structure of Knowledge In Early Modern Norther...
The accent on scientific and empirical character of alchemy, especially from the field of the histor...
The editing of medieval alchemical texts poses a number of challenges to the modern scholar. Proble...
John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its au...
none1noBetween the fourteenth and seventeenth centuries, alchemy reached its full maturity in the We...
This is the author's accepted manuscript. The published version can be found here http://dx.doi.org/...
The main objective of this paper is to highlight the connection between alchemy, steganography and l...
The paper points out some new remarks about three alchemical manuscripts owned and annotated by the ...
L’Alexipharmacum de G. A. Fenotti (1576) déploie une stratégie de persuasion particulière : vigilanc...
It has been well noted that Aristotle’s Meteorologica IV has played an important role in the develo...
From its obscure origins in antiquity the alchemical tradition enjoyed a late flowering in seventeen...
This article deals with the most relevant philosophical side of Albert the Great’s analysis of alche...
The Milanese artist Giovanni Paolo Lomazzo (1538–1592) is better known for his writings on art than ...
Joly Bernard. Piyo Rattansi, Antonio Clericuzio (éd.), Alchemy and chemistry in the 16th and 17th ce...
“Unfolded Worlds: Allegory, Alchemy, and The Image As Structure of Knowledge In Early Modern Norther...
The accent on scientific and empirical character of alchemy, especially from the field of the histor...
The editing of medieval alchemical texts poses a number of challenges to the modern scholar. Proble...
John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its au...
none1noBetween the fourteenth and seventeenth centuries, alchemy reached its full maturity in the We...
This is the author's accepted manuscript. The published version can be found here http://dx.doi.org/...
The main objective of this paper is to highlight the connection between alchemy, steganography and l...
The paper points out some new remarks about three alchemical manuscripts owned and annotated by the ...
L’Alexipharmacum de G. A. Fenotti (1576) déploie une stratégie de persuasion particulière : vigilanc...
It has been well noted that Aristotle’s Meteorologica IV has played an important role in the develo...
From its obscure origins in antiquity the alchemical tradition enjoyed a late flowering in seventeen...
This article deals with the most relevant philosophical side of Albert the Great’s analysis of alche...
The Milanese artist Giovanni Paolo Lomazzo (1538–1592) is better known for his writings on art than ...
Joly Bernard. Piyo Rattansi, Antonio Clericuzio (éd.), Alchemy and chemistry in the 16th and 17th ce...
“Unfolded Worlds: Allegory, Alchemy, and The Image As Structure of Knowledge In Early Modern Norther...
The accent on scientific and empirical character of alchemy, especially from the field of the histor...
The editing of medieval alchemical texts poses a number of challenges to the modern scholar. Proble...