In this article, I will shed light on some of the solutions and pitfalls that I/we have come across in the preparation and performance of medieval music. It is based on the concert programs Carmina Profana1 (1997) and Od trubadurjev2 (By the Troubadours, 2007). Many associations and texts can also be found in the books Knjiga3 (The Book, 2009) and Tolovajske balade4 (Villain Ballads, 1993)
Medieval musical culture was predominatingly oral. Written music was a rarity at the time
was an attempt to create a recorded historical anthology in the 1950s. From the 1930s, similar proje...
Texts of different kinds grant insight into the rich cultural canvas of the Middle Ages: epic poetry...
In this article, I will shed light on some of the solutions and pitfalls that I/we have come across ...
Now, medieval music would seem to make sense only as a pleasure for those, who are not able to live ...
Evidence from medieval writers, musical notation, and variant readings in the sources all suggest th...
Besides a tendency to abstractness, inherent in the technical nature of the subject itself, a common...
Timothy McGee discusses and reviews Meconi\u27s 2011 work. Meconi, Honey ed. Medieval Music, The Lib...
The purpose of the article is to identify the place of instrumental music in the medieval system of ...
Today our conception of the Middle Ages is accompanied by musicians who claim to play "in the old-fa...
Nowhere in musical analysis is the tension between the two theoretical positions of considering musi...
Actuellement interprétée par des musiciens spécialisés, la musique du Moyen Âge subit un processus d...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the ...
Countless composers have turned to the Middle Ages for inspiration, a practice described by Pugh and...
Medieval musical culture was predominatingly oral. Written music was a rarity at the time
was an attempt to create a recorded historical anthology in the 1950s. From the 1930s, similar proje...
Texts of different kinds grant insight into the rich cultural canvas of the Middle Ages: epic poetry...
In this article, I will shed light on some of the solutions and pitfalls that I/we have come across ...
Now, medieval music would seem to make sense only as a pleasure for those, who are not able to live ...
Evidence from medieval writers, musical notation, and variant readings in the sources all suggest th...
Besides a tendency to abstractness, inherent in the technical nature of the subject itself, a common...
Timothy McGee discusses and reviews Meconi\u27s 2011 work. Meconi, Honey ed. Medieval Music, The Lib...
The purpose of the article is to identify the place of instrumental music in the medieval system of ...
Today our conception of the Middle Ages is accompanied by musicians who claim to play "in the old-fa...
Nowhere in musical analysis is the tension between the two theoretical positions of considering musi...
Actuellement interprétée par des musiciens spécialisés, la musique du Moyen Âge subit un processus d...
Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, ...
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the ...
Countless composers have turned to the Middle Ages for inspiration, a practice described by Pugh and...
Medieval musical culture was predominatingly oral. Written music was a rarity at the time
was an attempt to create a recorded historical anthology in the 1950s. From the 1930s, similar proje...
Texts of different kinds grant insight into the rich cultural canvas of the Middle Ages: epic poetry...
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