What are the different interconnected spaces and times in the construction of the character in drama, and to what extent is acting ‘live’ performances consubstantial with the notion of the multifarious, and especially the multiverse
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has reg...
The performing arts have been concerned with mediating presence through orchestration, dramatization...
«All the world is a stage», wrote Petronius, and the same was repeated by William Shakespeare plagia...
[EN] What ontological implications are conveyed by the simultaneous perception of live and recorded ...
The everyday use, availability and familiarity with media and its technology, is influencing the eve...
How is the concept of intermediality used in theatre and performance studies? And how can we underst...
This article focuses on an analysis of the live intermedial performance, The Mark of Affect. Using t...
This article focuses on an analysis of the live intermedial performance, 'The Mark of Affect'. Using...
In this work, we depart from the understanding that the co-presence of performers and spectators in ...
This play, Weaving Worlds, and the accompanying case study of its use of multimedia examine how mult...
In this chapter, we will focus on performance as an aesthetic orcommunicative event that unfolds at ...
We observe that a Mixed Reality Performance called Better Than Life gave rise to novel dramaturgical...
This practice-led research project explores the challenges and experiences faced by the contemporary...
Theatre is an art of infinite possibility and is created and viewed from a variety of different lens...
If, by definition, the performing event could not do without the co-presence in space and time of sp...
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has reg...
The performing arts have been concerned with mediating presence through orchestration, dramatization...
«All the world is a stage», wrote Petronius, and the same was repeated by William Shakespeare plagia...
[EN] What ontological implications are conveyed by the simultaneous perception of live and recorded ...
The everyday use, availability and familiarity with media and its technology, is influencing the eve...
How is the concept of intermediality used in theatre and performance studies? And how can we underst...
This article focuses on an analysis of the live intermedial performance, The Mark of Affect. Using t...
This article focuses on an analysis of the live intermedial performance, 'The Mark of Affect'. Using...
In this work, we depart from the understanding that the co-presence of performers and spectators in ...
This play, Weaving Worlds, and the accompanying case study of its use of multimedia examine how mult...
In this chapter, we will focus on performance as an aesthetic orcommunicative event that unfolds at ...
We observe that a Mixed Reality Performance called Better Than Life gave rise to novel dramaturgical...
This practice-led research project explores the challenges and experiences faced by the contemporary...
Theatre is an art of infinite possibility and is created and viewed from a variety of different lens...
If, by definition, the performing event could not do without the co-presence in space and time of sp...
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has reg...
The performing arts have been concerned with mediating presence through orchestration, dramatization...
«All the world is a stage», wrote Petronius, and the same was repeated by William Shakespeare plagia...
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