Political film

Diplomsko delo obravnava nekaj ključnih vprašanja političnega filma, katerega prav tako definira ter kontekstualizira. Na začetku se posvetimo tipologiji političnega, ki presega zgolj obravnavanje vladajočega razreda, politikov kot oseb in izvajanje oblasti. Razločevanje med zgoraj opisanim in sfero skupnih zadev, ki se dotikajo naših življenj na vseh nivojih povežemo s filmom in za boljše razumevanje razširimo s temami, kot so žanr, teorija avtorstva, metode potujitve in realizem. Vsi ti dejavniki namreč vplivajo na definicijo političnega filma. Ključen faktor političnega filma je lahko prav produkcija filma, in sicer z rušenjem tradicionalnih hierarhij v procesu zasnove in produkcije filma. Prav politika je tisto, kar neposredno vpliva na naša življenja. Če film prikazuje perspektivo upornikov in ljudi, ki sicer ne bi imeli besede, če daje gledalcu možnost kritičnega razmišljanja o subjektu, temi ali sistemu in če je realističen, govorimo o političnem filmu. Za lažje razumevanje politične filme različnih klasifikacij razporedimo v kategorije in v nadaljevanju tudi razložimo, kako se tema povezuje s praktičnim delom diplomske naloge, ki ga predstavlja diplomski film z naslovom Ni vsak dan nedelja.The thesis deals with some key issues of political film, which it also defines and contextualizes. At the beginning, let\u27s focus on the typology of the political, which goes beyond the mere consideration of the ruling class, politicians as persons and the exercise of power. We connect the distinction between the above and the sphere of common issues that touch our lives on all levels to film and for a better understanding we expand it with topics such as genre, the theory of authorship, the distancing effect and realism. All these factors influence the definition of a political film. The key factor of a political film can be the production of the film, namely by breaking down traditional hierarchies in the process of the conception and production of the film. It is politics that directly affects our lives. If the film shows the perspective of rebels and people who would otherwise have no say, if it gives the viewer the opportunity to think critically about the subject, topic or system and if it is realistic, we are talking about a political film. To make it easier to understand, political films of different classifications are divided into categories, and below we also explain how the topic is connected to the practical part of the diploma thesis, which is presented by the diploma film entitled It’s not Sunday everyday