Add to ORKGIn 1637, a dramma musicale entitled La Santa Cecilia was performed in Warsaw for the royal wedding between Ladislas IV, king of Poland, and te Archduchess Cecilia Renata of Austria. The sovereing himself had previously been an avid theatre-goer during his trip to Italy in 1625, when he met Monteverdi and other musicians. Through a close examination of various documents, the aim of this study is to propose an innovative comparison between the court theatre of Ladislas IV and contemporary early playhouses in Italy- from Rome to Venice - with reference to spectacles set to music
Although a great deal of documentation on the patronage of Alfonso I d'Este has already been publish...
Opera, perhaps fittingly described as an eclectic compilation of philosophy and Greek theater, emerg...
In my thesis I endeavoured to map the history of a baroque theatre in the Litomyšl castle as well a...
Mapping Italian Theatre provides a new critical overview of the circulation of the Italian theatre a...
In this book, Eugene Johnson traces the invention of the opera house, a building type of world-wide ...
The Italian exile of James III Stuart started in 1717 at the court of Urbino. In 1719, the Teatro Al...
The article presents a Polish monarch of the House of Vasa, Władysław (Ladislaus) IV, as a patron of...
In the years 1725–1734, there was an Italian opera troupe performing in Wrocław, which was composed ...
The contribution of the Marquis Pio Enea degli Obizzi (1592-1674) to the early history of opera was ...
Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and eco...
Many smaller theaters of the mid-eighteenth century were established in conjunction with the establi...
Thesis (Ph.D.)--Boston UniversityOpera began in Poland soon after its origin in Italy in the early s...
This study consists of a new pasticcio opera and a thesis examining the origins of these operas, the...
Attending an opera involves a multi-sensory evaluation (acoustical, visual, and more), cultural back...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
Although a great deal of documentation on the patronage of Alfonso I d'Este has already been publish...
Opera, perhaps fittingly described as an eclectic compilation of philosophy and Greek theater, emerg...
In my thesis I endeavoured to map the history of a baroque theatre in the Litomyšl castle as well a...
Mapping Italian Theatre provides a new critical overview of the circulation of the Italian theatre a...
In this book, Eugene Johnson traces the invention of the opera house, a building type of world-wide ...
The Italian exile of James III Stuart started in 1717 at the court of Urbino. In 1719, the Teatro Al...
The article presents a Polish monarch of the House of Vasa, Władysław (Ladislaus) IV, as a patron of...
In the years 1725–1734, there was an Italian opera troupe performing in Wrocław, which was composed ...
The contribution of the Marquis Pio Enea degli Obizzi (1592-1674) to the early history of opera was ...
Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and eco...
Many smaller theaters of the mid-eighteenth century were established in conjunction with the establi...
Thesis (Ph.D.)--Boston UniversityOpera began in Poland soon after its origin in Italy in the early s...
This study consists of a new pasticcio opera and a thesis examining the origins of these operas, the...
Attending an opera involves a multi-sensory evaluation (acoustical, visual, and more), cultural back...
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very ...
Although a great deal of documentation on the patronage of Alfonso I d'Este has already been publish...
Opera, perhaps fittingly described as an eclectic compilation of philosophy and Greek theater, emerg...
In my thesis I endeavoured to map the history of a baroque theatre in the Litomyšl castle as well a...
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