Add to ORKGThis paper argues against a thesis that Shashi Tharoor seems to accept: that R.K. Narayan’s style is bound up with a very specific context, of people left behind by the times in South India. It cannot deal with other subject matter. I present a little fiction to challenge the thesis
This paper, or little essay actually, presents a response to Shashi Tharoor on R.K. Narayan, startin...
Lisa Zunshine stayed at Hotel Laxmi Park at Bishnupur, I do not know whether that hotel exists now o...
Much like the Nambi of this tale, R. K. Narayan has merited his reputation as a marvelous storytelle...
This paper argues against a thesis that Shashi Tharoor seems to accept: that R.K. Narayan’s style is...
When evaluating R.K. Narayan, Shashi Tharoor seems to commit himself to these theses: Narayan has a ...
Shashi Tharoor criticizes R.K. Narayan for using expressions that seemed to have been learnt from a ...
R. K. Narayan holds a distinctive place in the contemporary Indian-English fiction writing. He is co...
This paper responds to Shashi Tharoor’s criticism that “much of Narayan’s prose reads like a transla...
Of all Indian-English novelists of our day, R.K. Narayan (1906-2001) occupies a distinctive place by...
It would not be too much of an exaggeration to claim that, with the odd and honourable exception (su...
The development of the Indian novel in English was initially not up to the mark and at low profile. ...
Traditional culture and subverted myths are subjects that characterise Narayan’s vast literary prod...
Reading R. K. Narayan certainly leads the South-Asian readers to the home and bosom of his own count...
Shashi Tharoor criticizes R.K. Narayan in the following way: “Narayan’s prose was like a bullock-car...
Let's now have a look at what R. K. Narayan had to say about the common trend among fiction authors ...
This paper, or little essay actually, presents a response to Shashi Tharoor on R.K. Narayan, startin...
Lisa Zunshine stayed at Hotel Laxmi Park at Bishnupur, I do not know whether that hotel exists now o...
Much like the Nambi of this tale, R. K. Narayan has merited his reputation as a marvelous storytelle...
This paper argues against a thesis that Shashi Tharoor seems to accept: that R.K. Narayan’s style is...
When evaluating R.K. Narayan, Shashi Tharoor seems to commit himself to these theses: Narayan has a ...
Shashi Tharoor criticizes R.K. Narayan for using expressions that seemed to have been learnt from a ...
R. K. Narayan holds a distinctive place in the contemporary Indian-English fiction writing. He is co...
This paper responds to Shashi Tharoor’s criticism that “much of Narayan’s prose reads like a transla...
Of all Indian-English novelists of our day, R.K. Narayan (1906-2001) occupies a distinctive place by...
It would not be too much of an exaggeration to claim that, with the odd and honourable exception (su...
The development of the Indian novel in English was initially not up to the mark and at low profile. ...
Traditional culture and subverted myths are subjects that characterise Narayan’s vast literary prod...
Reading R. K. Narayan certainly leads the South-Asian readers to the home and bosom of his own count...
Shashi Tharoor criticizes R.K. Narayan in the following way: “Narayan’s prose was like a bullock-car...
Let's now have a look at what R. K. Narayan had to say about the common trend among fiction authors ...
This paper, or little essay actually, presents a response to Shashi Tharoor on R.K. Narayan, startin...
Lisa Zunshine stayed at Hotel Laxmi Park at Bishnupur, I do not know whether that hotel exists now o...
Much like the Nambi of this tale, R. K. Narayan has merited his reputation as a marvelous storytelle...