The article draws on 24 essays where university students in Sweden reflect on their affective reactions to the American film Precious: Based on the Novel Push by Sapphire (2009). The essays pay particular attention to how scenes of Black suffering and the body of the character Precious called forth feelings immediately as well as more enduringly, and how participants’ cultural situatedness directed the reactions and reflections. The article asks how seemingly unintentional, affective reactions intertwine with reflexive practices in film viewing and analysis, when both are understood as intercorporeal processes of subject formation. Especially intense moments of ‘feeling bad’ spurred the writers to dissect and question the need for ‘sameness...
This article analyses the experiences of film-viewing and making by reference to the sense of. For v...
This article proposes that whiteness should be thought of as an affective structure, theorizing whit...
Not peer reviewedThe purpose of this essay was to discover whether or not cinema has the power to ga...
In this article, we mobilize a theoretical and political critique to the aesthetic and affect that i...
"Examining how the discourses of youth, race, poverty and identity take shape when Push is adapted t...
Drawing from Afro-pessimist and feminist film theory, the article proposes a rethinking of theories ...
This Special Issue brings together seven affective mediations on the theme of mediating affect. The ...
Using a critical analytic lens, this essay examines how race, racism, and race relations depicted in...
"Life for me ain’t been no crystal stair”: Trauma, Writing and Alternative Communities i...
This article explores the concept of empathy as an affirmative feminist engagement with Tracey Emin’...
In this chapter, the author draws on a series of qualitative interviews as part of an exploratory st...
Envy, guilt, symbolic reparation and images of whiteness in contemporary Hollywood sport themed film...
This essay argues that the 2017 horror film, Get Out, portrays the chronic double consciousness of b...
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which...
This article examines how the global traumas of resource-driven conflicts and acts of terrorism are ...
This article analyses the experiences of film-viewing and making by reference to the sense of. For v...
This article proposes that whiteness should be thought of as an affective structure, theorizing whit...
Not peer reviewedThe purpose of this essay was to discover whether or not cinema has the power to ga...
In this article, we mobilize a theoretical and political critique to the aesthetic and affect that i...
"Examining how the discourses of youth, race, poverty and identity take shape when Push is adapted t...
Drawing from Afro-pessimist and feminist film theory, the article proposes a rethinking of theories ...
This Special Issue brings together seven affective mediations on the theme of mediating affect. The ...
Using a critical analytic lens, this essay examines how race, racism, and race relations depicted in...
"Life for me ain’t been no crystal stair”: Trauma, Writing and Alternative Communities i...
This article explores the concept of empathy as an affirmative feminist engagement with Tracey Emin’...
In this chapter, the author draws on a series of qualitative interviews as part of an exploratory st...
Envy, guilt, symbolic reparation and images of whiteness in contemporary Hollywood sport themed film...
This essay argues that the 2017 horror film, Get Out, portrays the chronic double consciousness of b...
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which...
This article examines how the global traumas of resource-driven conflicts and acts of terrorism are ...
This article analyses the experiences of film-viewing and making by reference to the sense of. For v...
This article proposes that whiteness should be thought of as an affective structure, theorizing whit...
Not peer reviewedThe purpose of this essay was to discover whether or not cinema has the power to ga...