Zero-watermarking is a key technique for achieving lossless and flexible copyright protection of depth image-based rendering (DIBR) videos. Existing approaches extract features of both 2D frames and depth maps via a single mechanism to protect them simultaneously. However, it is difficult for these schemes to fully satisfy the copyright protection requirements of the two components, including the remarkable discriminative capability of 3D videos and robustness against various attacks. Hence, in this paper, we propose a novel multiple-feature-based zero-watermarking scheme to protect the copyright of DIBR 3D videos. To the best of our knowledge, this is the first scheme that integrates multiple features to improve both the discriminative cap...
The ability to make perfect copies of Digital content and the ease by which copies can be distribute...
Over the last ten years, rapid advancements in the digital global network and digital media technolo...
International audienceDespite the sound theoretical, methodological, and experimental background inh...
Zero-watermarking is a key technique for achieving lossless and flexible copyright protection of dep...
Despite the success of watermarking technique for protecting DIBR 3D videos, existing methods still ...
Copyright protection of depth image-based rendering (DIBR) 3D videos is crucial due to the popularit...
Digital rights management (DRM) of depth-image-based rendering (DIBR) 3D video is an emerging area o...
Digital watermarking technique has been used to deal with issues like copyright protection and authe...
Illegal distribution of a digital movie is a significant threat to the film industry. Currently, cam...
Digital copyright protection has become an effective way to prove the ownership and protect the mult...
AbstractDigital watermarking is an efficient technique to protect copyright and ownership of digital...
In 3D image compression, depth image based rendering (DIBR) is one of the latest techniques where th...
In this paper, two digital watermark algorithms are compared for stereoscopic three-dimensional (3-D...
For digital media, the risk of piracy is aggravated by the ease to copy and distribute the content. ...
Abstract—Three dimensional (3D) video technologies have made noticeable progress and become common. ...
The ability to make perfect copies of Digital content and the ease by which copies can be distribute...
Over the last ten years, rapid advancements in the digital global network and digital media technolo...
International audienceDespite the sound theoretical, methodological, and experimental background inh...
Zero-watermarking is a key technique for achieving lossless and flexible copyright protection of dep...
Despite the success of watermarking technique for protecting DIBR 3D videos, existing methods still ...
Copyright protection of depth image-based rendering (DIBR) 3D videos is crucial due to the popularit...
Digital rights management (DRM) of depth-image-based rendering (DIBR) 3D video is an emerging area o...
Digital watermarking technique has been used to deal with issues like copyright protection and authe...
Illegal distribution of a digital movie is a significant threat to the film industry. Currently, cam...
Digital copyright protection has become an effective way to prove the ownership and protect the mult...
AbstractDigital watermarking is an efficient technique to protect copyright and ownership of digital...
In 3D image compression, depth image based rendering (DIBR) is one of the latest techniques where th...
In this paper, two digital watermark algorithms are compared for stereoscopic three-dimensional (3-D...
For digital media, the risk of piracy is aggravated by the ease to copy and distribute the content. ...
Abstract—Three dimensional (3D) video technologies have made noticeable progress and become common. ...
The ability to make perfect copies of Digital content and the ease by which copies can be distribute...
Over the last ten years, rapid advancements in the digital global network and digital media technolo...
International audienceDespite the sound theoretical, methodological, and experimental background inh...