Solve et Coagula is a composition for eleven instruments, scored in six movements. This composition is the culmination of the composer’s process of integrating live performers with live, algorithmically-generated electronic playback and digital signal processing of acoustic instruments using the Supercollider audio programming language. Furthermore, the composition also breaks down and restructures musical elements from several of the composer’s previous works from their time at the University of Texas. This documents will detail the conception of Solve et Coagula, provide a detailed musical analysis of the piece, outline the musical elements in Solve et Coagula that are taken from previous compositions, explain the composer’s use of the Su...
The music composition Determinations used computer generated series of notes and rhythms in the con...
The forces used in the realisation of a musical work have typically been conceived of as independent...
This PhD submission comprises two parts: firstly, a portfolio of original compositions (80%) and sec...
During my Master’s degree I created a series of electronic collage compositions by superimposing pre...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The TaCEM project (Technology and Creativity in Electroacoustic Music), funded by the AHRC for a dur...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
El Árbol de la noche triste is a composition for solo scordatura violaand electronicsounds which are...
This thesis contains two volumes. The first is a written text that describes my compositional techni...
Music composition and scientic computing are usually considered separate and un-related elds of inte...
This PhD in music composition explores a compositional approach referred to as \u27Transfunctionalit...
The present thesis comprises a musical score and a set of specifications for a programmer to employ ...
Contemporary music composition is a highly creative and disciplined activity that requires free expr...
International audienceContemporary music composition is a highly creative and disciplined activity t...
Fractus I is a composition for trumpet in C and live electronic sound. The electronics were primaril...
The music composition Determinations used computer generated series of notes and rhythms in the con...
The forces used in the realisation of a musical work have typically been conceived of as independent...
This PhD submission comprises two parts: firstly, a portfolio of original compositions (80%) and sec...
During my Master’s degree I created a series of electronic collage compositions by superimposing pre...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The TaCEM project (Technology and Creativity in Electroacoustic Music), funded by the AHRC for a dur...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
El Árbol de la noche triste is a composition for solo scordatura violaand electronicsounds which are...
This thesis contains two volumes. The first is a written text that describes my compositional techni...
Music composition and scientic computing are usually considered separate and un-related elds of inte...
This PhD in music composition explores a compositional approach referred to as \u27Transfunctionalit...
The present thesis comprises a musical score and a set of specifications for a programmer to employ ...
Contemporary music composition is a highly creative and disciplined activity that requires free expr...
International audienceContemporary music composition is a highly creative and disciplined activity t...
Fractus I is a composition for trumpet in C and live electronic sound. The electronics were primaril...
The music composition Determinations used computer generated series of notes and rhythms in the con...
The forces used in the realisation of a musical work have typically been conceived of as independent...
This PhD submission comprises two parts: firstly, a portfolio of original compositions (80%) and sec...