The Rock: Above and Below

‘The Rock: Above & Below’ is an extended photographic research project exploring the fractured relationship between the community of The Isle of Portland (Dorset) and the quarrying of Portland Stone, once so intrinsically linked, physically and culturally to the island. Quarrying played a huge part in the island’s history, employing hundreds of workers and shaping the community’s identity. First used by the Romans, Portland Stone has been used to build iconic structures such as The Palace of Westminster, the City of London, and the United Nations Building in New York. Taking an auto-ethnographic approach to the project, Wenham-Clarke connected with key figures who have lived on the island for generations, including the heads of the mining operations, a lighthouse owner, tug boat captain, funeral director, prison nurse and Portlanders to explore the modern-day link between community and stone. Through photographic portraits and audio interviews the work draws on narrative history, oral history and qualitative research methodologies. Research outcomes provided a powerful insight into the consequences of industrialisation which has destroyed generational and cultural links and forced the industry to automate and excavate huge tunnels into the island beneath the local community. Wenham-Clarke’s images record these subterranean cathedral-like spaces mined by robotic equipment, controlled by a handful of highly skilled operators from outside the community. The resulting suite of images juxtapose the robotic machinery below and the local community above, set in the context of Portland’s high levels of unemployment and social issues. In addition to numerous publications, photo essays and group exhibitions, a final selection of 25 photographs and audio tracks were exhibited as part of the B-Side Arts Festival and a selection were shown across Dorset on bus shelter posters and bill boards as part of an extensive public engagement strategy funded by regional arts boards and local enterprise